【摘要】：文章的主體是對馬金鳳的藝術(shù)風(fēng)格進(jìn)行研究,共分為六個大的部分:緒論、馬金鳳生平簡介、馬金鳳的藝術(shù)創(chuàng)新性及舞臺表演藝術(shù)、馬金鳳的代表劇目:《穆桂英掛帥》、《花打朝》的分析和對馬金鳳研究的藝術(shù)價值。 緒論部分,闡述作者的研究目的、研究方法以及本論文研究所涉及的內(nèi)容在國內(nèi)外目前的研究現(xiàn)狀。 第一章,豫劇藝術(shù)及馬金鳳從藝經(jīng)歷,筆者將其劃分為三個不同的時期:馬金鳳的戲曲學(xué)習(xí)吸收期;戲曲表演成熟期;戲曲藝術(shù)發(fā)展期。以年代為序,以人物藝術(shù)活動及事件為內(nèi)容主線,進(jìn)行闡述。 第二章,馬金鳳的藝術(shù)創(chuàng)新性,馬金鳳對豫劇的最大貢獻(xiàn)是她成功地創(chuàng)造了《穆桂英掛帥》中穆桂英這一“帥旦”行當(dāng)。分別從演唱藝術(shù)和唱腔藝術(shù)兩個方面對其風(fēng)格特點進(jìn)行闡述。 第三章,馬派的舞臺表演藝術(shù),這一章節(jié)將從淚功、向梅蘭芳學(xué)習(xí)水袖功、化妝這三個方面進(jìn)行敘述。 第四章,對馬金鳳的代表劇目《穆桂英掛帥》、《花打朝》的分析,并試圖與梅蘭芳移植成的京劇《穆桂英掛帥》進(jìn)行對比,筆者將以圖表的形式對其進(jìn)行音樂本體分析,通過對馬金鳳唱腔的具體分析,總結(jié)出她唱腔的基本特點和創(chuàng)腔經(jīng)驗。 結(jié)論部分,總結(jié)她在豫劇方面的貢獻(xiàn),以及對馬金鳳藝術(shù)風(fēng)格研究的學(xué)術(shù)價值。
[Abstract]:The main body of the article is to study Ma Jinfeng's artistic style, which is divided into six parts: introduction, brief introduction of Ma Jinfeng's life, artistic innovation of Ma Jinfeng and stage performing art. Ma Jinfeng's representative repertoire: mu Kui-ying, the analysis of "Flower and beat Korea" and the artistic value of Ma Jinfeng's research. In the introduction part, the author's research purpose, research methods and the current research situation at home and abroad are described. The first chapter, the art of Henan opera and Ma Jinfeng from the art experience, the author divided it into three different periods: Ma Jinfeng's opera learning absorption period; opera performance maturity period; opera art development period. Take the time as the order, take the figure artistic activity and the event as the content main line, carries on the elaboration. The second chapter, Ma Jinfeng's artistic innovation, Ma Jinfeng's greatest contribution to Henan opera is that she has successfully created the "handsome Dan" trade in Mu Guiying. Respectively from the singing art and singing art two aspects of its style characteristics are expounded. The third chapter, Ma School stage performance art, this chapter will be from the tears, Mei Lanfang to learn water sleeve skills, makeup these three aspects of narration. In the fourth chapter, the author analyzes Ma Jinfeng's representative repertoire "Mu Guiying", "Flower hits Korea", and attempts to compare it with the Peking Opera "Mu Kui-ying hanging Shuai", which was transplanted by Mei Lanfang. The author will analyze the music ontology in the form of charts. Through the specific analysis of Ma Jinfeng singing, summed up the basic characteristics of her singing and innovative experience. The conclusion part summarizes her contribution to Henan opera and the academic value of the study on Ma Jinfeng's artistic style.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J825

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