發(fā)布時間：2018-09-03 15:01

【摘要】：16世紀(jì),音樂表現(xiàn)的問題第一次成為理論家和作曲家注意的中心,人文主義者堅持認(rèn)為:如果古希臘時代的音樂曾以無與倫比的力量模仿并激發(fā)了人類的情感,那么音樂應(yīng)該能夠光復(fù)失地。于是,從文藝復(fù)興開始音樂家開始關(guān)注音樂表現(xiàn)的各種手法,尤其蒙特威爾第在他的音樂中甚至顯出極深的心理洞察1�！侗槐梢暤幕屎蟆烦鲎悦商赝柕诟鑴　恫ㄅ鍋喌募用帷�,作為他晚期的作品,曲目中聲樂與器樂的兩條旋律線交織在一起,呈現(xiàn)復(fù)調(diào)音樂走向輝煌前的最佳狀態(tài)。它所運用得“激動風(fēng)格”是“音樂為戲劇服務(wù)”最早的范例。在本文中筆者將從作品中旋律的流動性、獨具推動性的伴奏復(fù)調(diào)織體、演唱音色處理及演唱版本比較,從深處挖掘此曲。由于該部歌劇在國內(nèi)很少上演,筆者將這個課題作為研究對象進(jìn)行較為淺顯的探討和研究,希望能起到拋磚引玉,引起更多演唱者對蒙特威爾第歌劇藝術(shù)的興趣與重視。
[Abstract]:In the 16th century, the problem of musical expression became the focus of attention of theorists and composers for the first time. Humanists insisted that if ancient Greek music had imitated and stimulated human emotions with unparalleled power, then music should be able to recover its lost ground. Various techniques, especially Monteverdy's profound psychological insights in his music 1. from Monteverdy's opera , as his later works, vocal and instrumental music in the repertoire intertwined with the two melodic lines, showing the best state of polyphonic music before its brilliance. The earliest example of "music serves drama" is the "exciting style". In this paper, the author will dig this song from the depth by comparing the melodic fluidity of the work, the unique impetus of accompaniment polyphony texture, singing timbre processing and singing version. The elephant carries on the comparatively shallow discussion and the research, hoped can throw the brick to attract jade, causes more singers to the Montevideo opera art interest and the attention.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

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3 吳s，

本文編號：2220320

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