【摘要】：漢劇是湖北省的地方大劇,她有著四百年的悠久歷史和深厚的文化內(nèi)涵。漢劇劇目中歷史劇占有相當大的比重,而在歷史劇中“三國戲”的數(shù)量之豐富、影響之深遠,亦成為一道獨特的風(fēng)景。但遺憾的是,目前學(xué)術(shù)界對漢劇的研究還非常少,而對漢劇的三國戲的系統(tǒng)研究更是幾乎無人涉及。本文選取漢劇中的三國戲為研究對象,分別從三個方面來對漢劇三國戲展開論述：首先從漢劇三國戲的劇目、劇本入手來探究其題材來源,然后重點論述現(xiàn)代漢劇的的直接來源早期漢劇,最后從戲曲表演的角度來介紹漢劇名家與三國戲的淵源。 一是漢劇三國戲的劇目、劇本、題材來源概述。劇目方面,主要是通過《漢劇劇目表》、《漢劇傳統(tǒng)劇目考證》、《漢劇志》、《漢劇史料專輯》中的三國戲劇目的考證,得出其具體的數(shù)目。劇本方面,現(xiàn)代漢劇主要以《湖北地方戲曲叢刊》中收錄的53個三國戲劇本為藍本,按照劇本來源、劇本規(guī)模、劇中主要人物、表演行當?shù)人膫�標準,將它們分類概述。題材溯源方面,主要考察了漢劇三國戲與《三國演義》、元明雜劇、明清傳奇的關(guān)系,探討了漢劇三國戲的繼承與發(fā)展過程。 二是早期漢劇三國戲。內(nèi)容上主要包括《新鐫楚曲十種》中的三國戲《英雄志》、《祭風(fēng)臺》,《俗文學(xué)叢刊》中的楚曲三國戲《轅門射戟》、《曹公賜馬》、《東吳招親》等5個這些早期楚曲的特色有四點：一是劇本形式較古老,二是劇本內(nèi)容粗糙民間色彩濃厚,三是語言風(fēng)格淺白平直,四是表演行當重視男性腳色。它們對現(xiàn)代漢劇產(chǎn)生了重要的影響,現(xiàn)代漢劇在此基礎(chǔ)上得到繼承和發(fā)展。 三是漢劇名家與三國戲。本文主要選取了早期的漢劇名家“活關(guān)公”——米應(yīng)先“漢派老生”——余三勝,近現(xiàn)代的漢劇名家漢劇大王——余洪元、“余派”藝術(shù)傳人——胡桂林、錢文奎、陳春芳、“活周瑜”——董金林、“活蔣干”——李春森等人作為個案研究。通過他們的精湛表演,來感受漢劇的魅力。 總之,漢劇中的三國戲數(shù)量可觀、內(nèi)容豐富、形式多樣、源遠流長,早期楚曲中的三國戲特色鮮明、影響深遠,漢劇國戲的表演藝術(shù)精湛、獨具魅力。它們不僅在漢劇中具有重要的研究價值,而且在中國戲曲史上也占有十分重要的地位。
[Abstract]:Han opera is a local drama in Hubei province. It has a long history of 400 years and profound cultural connotation. The historical drama occupies a large proportion in the Han opera repertoire, and the abundance and far-reaching influence of the "three Kingdoms" in the historical drama have also become a unique landscape. Unfortunately, the academic research on Han opera is still very few, and the systematic study of the three Kingdoms drama is almost nobody involved. This article selects the three Kingdoms drama in the Han opera as the research object, respectively from three aspects to carry on the elaboration to the three Kingdoms drama of the Han opera: first, from the Han opera three Kingdoms drama repertoire, the script starts to explore its subject matter source, Then focus on the direct source of modern Chinese drama early Han opera, and finally from the perspective of opera performance to introduce the origin of the Han opera and the three Kingdoms opera. The first is the drama of the three Kingdoms drama, script, the source of the outline of the subject matter. In terms of repertoire, it is mainly through the textual research on the aims of the three dramas in "the Table of the Chinese Drama repertoire", "the textual Research on the traditional Drama programs of the Han Opera", "the Records of the Han Drama", and "the album of the Historical Materials of the Han Drama", to obtain its specific number. In terms of script, modern Chinese drama is based on the 53 three Kingdoms Drama which is included in Hubei Local Drama Series. According to the source of the script, the scale of the play, the main characters of the play and the acting profession, they are classified and summarized. In terms of the origin of the subject matter, it mainly examines the relationship between the three Kingdoms Drama and the Romance of the three Kingdoms, the Yuan and Ming Dynasty dramas, and the legends of the Ming and Qing dynasties, and probes into the inheritance and development process of the three Kingdoms Drama of the Han Opera. Second, the early Han opera three-country drama. The contents mainly include "heroic Records", "sacrificing Wind stage" in "Ten kinds of New Chu qu", "Euphorbia", "Cao Gongzi Horse", "East Wu recruiting relatives", and so on, which are the characteristics of these early Chu operas in the "popular Literature Series", "the Triple Drama of the three Kingdoms", "Cao Gongzi Horse", "Dongwu inviting relatives", and so on. There are four things: one is that the script is older. Second, the content of the script rough folk color, three is the language style plain, four is the performance industry should attach importance to the male role. They have had an important influence on modern Chinese drama, which has been inherited and developed on this basis. The third is the famous Han opera and the three Kingdoms Opera. This article mainly selects the early Han opera famous school "Huoguan Gong"-Mi Ying "Han school old life"-Yu San-sheng, the modern Han opera famous Han opera great king-Yu Hongyuan, "Yu School" art successor -Hu Guilin, Qian Wenkui, Chen Chunfang, Living Zhou Yu-Dong Jinlin, living Jiang Gan-Li Chunsen and others as case studies. Through their exquisite performance, to feel the charm of Han opera. In a word, the number of the three Kingdoms in the Han opera is considerable, the content is rich, the form is diverse, the history is long, the three Kingdoms opera in the early Chu opera has the distinct characteristic, the influence is profound, the performance art of the Han opera country drama is exquisite, has the unique charm. They not only have important research value in Han opera, but also occupy a very important position in the history of Chinese opera.
【學(xué)位授予單位】：湖北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：I207.36;J825

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