【摘要】：為揭示昆曲閨門(mén)旦演唱顫音的波動(dòng)特征以及發(fā)聲方式的變化規(guī)律,該文對(duì)2名專(zhuān)業(yè)的昆曲閨門(mén)旦演員演唱顫音時(shí)的喉頭儀信號(hào)進(jìn)行分析,從顫音周期、幅度、發(fā)聲類(lèi)型、生理動(dòng)作等角度研究該行當(dāng)顫音的特性。結(jié)果表明:閨門(mén)旦的顫音基頻波動(dòng)頻率較低、幅度較小,顫音波動(dòng)周期中伴隨著一定程度的嗓音發(fā)聲變化;在大部分顫音片段中,顫音接觸商變化頻率、顫音速度商變化頻率與顫音基頻變化頻率一致,相位相同或相反,各參數(shù)周期變化的相位關(guān)系與嗓音類(lèi)型有關(guān);顫音的產(chǎn)生伴隨著喉頭的上下抖動(dòng)。該研究揭示了閨門(mén)旦顫音的產(chǎn)生有其獨(dú)特的發(fā)聲規(guī)律。
[Abstract]:In order to reveal the fluctuating characteristics of the tremolo and the changing law of the vocal way, this paper analyzes the laryngograph signals of 2 professional Kunqu opera purdahs singing tremolo, from the vibrato period, amplitude, sound type, etc. The characteristics of the line tremolo are studied from the angle of physiological action. The results showed that the frequency and amplitude of the vibrato base frequency were lower, and the vibrato fluctuation cycle was accompanied by a certain degree of vocal change, and in most of the vibrato segments, the tremolo contact quotient changed frequency. The variation frequency of the vibrato velocity quotient is the same as that of the base frequency, and the phase relation of the periodic variation of each parameter is related to the type of the voice, and the production of the vibrato is accompanied by the up-and-down jitter of the larynx. This study reveals that the generation of boudoir tremolo has its own unique vocal laws.
【作者單位】： 深圳大學(xué)人文學(xué)院;北京大學(xué)中國(guó)語(yǔ)言文學(xué)系;
【基金】：國(guó)家自然科學(xué)基金面上項(xiàng)目(61073085) 中國(guó)哲學(xué)社會(huì)科學(xué)重大投標(biāo)項(xiàng)目(10&ZD125)
【分類(lèi)號(hào)】：J825
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本文編號(hào)：2201033