【摘要】： 本文試圖通過(guò)深入研究湖南花鼓戲的歷史沿革、各方言地區(qū)分類(lèi)以及潤(rùn)腔種類(lèi),總結(jié)花鼓戲咬字、潤(rùn)腔的規(guī)律和特點(diǎn),提出一些現(xiàn)今在民族聲樂(lè)演唱中經(jīng)常存在的咬字、潤(rùn)腔方面的問(wèn)題,將從花鼓戲特色中吸取的優(yōu)點(diǎn)長(zhǎng)處,用于民族聲樂(lè)的演唱。同時(shí)民族聲樂(lè)演唱也需要花鼓戲之類(lèi)的戲曲風(fēng)格的滋養(yǎng)和充實(shí),并從花鼓戲等諸多民間曲劇種中得以借鑒和吸收。 本研究通過(guò)對(duì)花鼓戲的歷史研究和理論研究、對(duì)珍貴音響音像資料的搜集整理以及相關(guān)文獻(xiàn)的查閱,并結(jié)合實(shí)例將花鼓戲在咬字、潤(rùn)腔等方面獨(dú)特的藝術(shù)元素進(jìn)行技術(shù)分析和藝術(shù)實(shí)踐的有機(jī)結(jié)合,為聲樂(lè)演唱中所存在的最突出的發(fā)聲和咬字等問(wèn)題提出合理解決方案,從而得出以下結(jié)論: 湖南花鼓戲在潤(rùn)腔中有著鮮明的特點(diǎn)和風(fēng)格,它的倚音、波音、滑音、花舌腔、高低腔講究自然流暢,收放自如,這些往往是民族聲樂(lè)演唱者在演唱時(shí)碰到的難題,同時(shí)花鼓戲因其自身在演唱方法上存在不足,也應(yīng)向美聲演唱和民族聲樂(lè)學(xué)習(xí)和吸取更科學(xué)的發(fā)聲方法,以及促進(jìn)花鼓戲劇種的振興和發(fā)展。
[Abstract]:This paper attempts to study the historical evolution of Hunan Hua-gu Opera, the regional classification of various dialects and the types of Runcao, sum up the rules and characteristics of Hua-Du Opera's pronunciation, and put forward some words that often exist in the singing of national vocal music nowadays. The advantages of the features of the flower drum play will be used in the singing of the national vocal music. At the same time, the singing of national vocal music also needs the nourishment and enrichment of the style of opera such as flower drum opera, and can be used for reference and absorbed from many kinds of folk opera, such as flower drum play. Through the historical and theoretical study of the flower drum play, the collection and arrangement of the precious audio, audio and video materials and the reference of the relevant documents, this study combined with an example to pronounce the characters of the flower drum play. The unique artistic elements, such as moistening the cavity, combine the technical analysis with the artistic practice, and put forward reasonable solutions for the most prominent problems in vocal singing, such as vocalization and pronunciation. The following conclusions can be drawn: Hunan Flower Drum Opera has distinct characteristics and styles in the runing cavity. Its lean sound, Boeing, slippery sound, flower-tongue cavity, high and low cavity are naturally smooth and easy to put. These are often the difficult problems encountered by the national vocal singers. At the same time, because of the deficiency of their own singing methods, Huagu opera should also learn from the beautiful singing and the national vocal music and absorb more scientific vocalization methods. And promote the revitalization and development of flower drum drama.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J825

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前6條

1 賓蕾;湖南花鼓戲花旦唱腔特點(diǎn)探究[D];中央民族大學(xué);2011年

2 賀魯湘;論湖南花鼓戲的發(fā)展與推廣[D];湖南師范大學(xué);2012年

3 曹瑾;探平?jīng)銮討虻难莩囆g(shù)[D];上海音樂(lè)學(xué)院;2012年

4 曾比翼;論花鼓戲唱腔在湖南民歌演唱中的特征[D];云南藝術(shù)學(xué)院;2013年

5 李燕;岳陽(yáng)花鼓戲的唱腔研究[D];湖南師范大學(xué);2013年

6 肖翠;湖南益陽(yáng)花鼓戲的演唱特點(diǎn)研究[D];湖南師范大學(xué);2013年

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本文編號(hào)：2190957