【摘要】：戲曲界一直以來習慣將戲曲宮譜分為"清宮"與"戲宮",并提出若干相關概念以作為區(qū)分二者的標準。而在劇目選擇方面,單折清宮譜的數目與舞臺演出的頻繁程度一致,就現存文獻來看,戲曲宮譜的具體內容并不因清宮、戲宮而有所區(qū)別,二者的不同特點在現實中未明顯呈現。"清宮"與"戲宮"在現實中并無明顯界限,一定要人為的將其分割開來,甚至使二者形成對立,對戲曲發(fā)展是十分不利的。
[Abstract]:Opera circle has been used to divide the opera palace spectrum into "Qing Palace" and "Opera Palace", and put forward a number of related concepts to distinguish the two standards. In terms of the selection of repertoire, the number of the single fold of the Qing Palace spectrum is consistent with the frequency of the stage performances. In terms of the existing literature, the specific contents of the opera palace spectrum are not different from those of the Qing Palace and the Opera Palace. The difference between the two is not apparent in reality. " There is no obvious boundary between the Qing Palace and the Opera Palace in reality. It is necessary to divide them artificially and even to make the two opposing, which is very disadvantageous to the development of opera.
【作者單位】： 浙江大學古代文學與文化研究所;
【分類號】：J805

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