發(fā)布時(shí)間：2018-08-16 16:35

【摘要】：正如何認(rèn)識(shí)包括戲劇評(píng)論在內(nèi)的文藝評(píng)論的發(fā)展現(xiàn)狀、存在問(wèn)題及對(duì)策,成為近兩年文藝界、理論評(píng)論界探討的熱點(diǎn)話題之一。這些討論的出現(xiàn),一方面有著復(fù)雜的社會(huì)文化背景,是審美趣味、美學(xué)觀念趨于分化,傳播渠道、接受方式日益多樣的體現(xiàn);另一方面也是評(píng)論界內(nèi)部面對(duì)變化了的文化語(yǔ)境,在話語(yǔ)體系、評(píng)價(jià)標(biāo)準(zhǔn)、社會(huì)身份等方面自我審視、自我完善的反映。今天,我們關(guān)注文藝評(píng)論,并不是因?yàn)樗娜笔�、萎縮。實(shí)際上,這些年,不同藝術(shù)領(lǐng)域的評(píng)論、批評(píng)一直在
[Abstract]:How to understand the present situation, existing problems and countermeasures of literary and art reviews, including drama reviews, has become one of the hot topics in literary and art circles and theoretical critics in the last two years. The emergence of these discussions, on the one hand, has a complex social and cultural background, is an embodiment of aesthetic taste, aesthetic concepts tend to be divided, channels of communication, and ways of acceptance increasingly diverse; on the other hand, it is also a cultural context that has changed within the critics. Self-examination and self-perfection in discourse system, evaluation criteria and social identity. Today, we pay attention to literary criticism, not because of its lack, atrophy. In fact, over the years, critics in different fields of art have been
【作者單位】： 《文藝報(bào)》藝術(shù)評(píng)論部;
【分類(lèi)號(hào)】：J805

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