天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁 > 文藝論文 > 戲劇論文 >

泗州戲與皖北民俗文化

發(fā)布時間:2018-08-09 11:28
【摘要】: 泗州戲是安徽省主要劇種之一,舊時稱“拉魂腔”,流行于皖北地區(qū),是深受當(dāng)?shù)厝嗣裣矏鄣牡胤叫颉W鳛榈胤叫?它的產(chǎn)生、發(fā)展及流傳都與民俗息息相關(guān),本文從民俗學(xué)、文化學(xué)的角度對泗州戲進(jìn)行系統(tǒng)的探討和闡述。 全文共分四章,分別從泗州戲概況、泗州戲的演出、劇目題材內(nèi)容、語言四個方面探討皖北民俗文化對泗州戲的滲透和影響。 第一部分介紹泗州戲的起源、特點、與其它劇種之間的關(guān)系。它與流行江蘇北部的柳琴戲、淮海戲,山東南部和河南東南的柳琴戲是同屬拉魂腔聲腔體系的姐妹劇種,均起源于江蘇海州(即江蘇省東?h)地區(qū)。拉魂腔流傳到皖北地區(qū)便吸收了當(dāng)?shù)氐拿耖g舞蹈、民間音樂,成為具有皖北特色的地方劇種——泗州戲。 第二部分通過對泗州戲演出時間、地點的調(diào)查,考察皖北民俗對泗州戲演劇的影響。筆者發(fā)現(xiàn),泗州戲演出是緊密配合民俗活動進(jìn)行的,泗州戲演出時間、地點與民俗有著密切的關(guān)系。泗州戲已融入了皖北人民的生活,成為當(dāng)?shù)夭豢苫蛉钡木裎幕囊徊糠帧?第三部分分析皖北民俗文化生活在泗州戲題材內(nèi)容中的滲透。泗州戲劇目豐富,題材廣泛,內(nèi)容貼近民眾生活,極富鄉(xiāng)土氣息。通過對劇目題材內(nèi)容的分析,筆者發(fā)現(xiàn)皖北地區(qū)的物質(zhì)生活民俗、社會生活民俗與精神生活民俗在劇目中都有不同程度的表現(xiàn),泗州戲是研究皖北風(fēng)俗人情的形象資料。 第四部分通過分析泗州戲劇目語言特色,筆者發(fā)現(xiàn),泗州戲在流傳的過程中吸收了具有皖北地方特色的方言俗語,具有質(zhì)樸生動、親切自然的特點。 本文的創(chuàng)新之處在于,在廣泛搜羅泗州戲劇本,走訪泗州戲研究專家及泗州戲劇團的基礎(chǔ)上,筆者首次從民俗學(xué)、文化學(xué)的角度解讀泗州戲。通過對泗州戲的演出、劇目題材內(nèi)容、語言等分析發(fā)現(xiàn)皖北的民俗活動、方言俗語、民歌小調(diào)等都是泗州戲賴以生存發(fā)展的基礎(chǔ),民俗活動影響泗州戲演出的時間、地點,泗州戲的題材內(nèi)容也深受民俗的滲透浸染;貧w民間,融入民俗,體現(xiàn)民俗,正是泗州戲生命之所在。
[Abstract]:Sizhou Opera is one of the major operas in Anhui Province, formerly called "pull soul", popular in northern Anhui, is deeply loved by the local people. As a small local drama, its production, development and dissemination are closely related to folk customs. This paper systematically discusses and expounds Sizhou Opera from the perspective of folklore and culturology. The full text is divided into four chapters, respectively from the Sizhou opera general situation, the Sizhou opera performance, the drama theme content, the language four aspects discusses the northern Anhui folk custom culture to Sizhou drama infiltration and the influence. The first part introduces the origin, characteristics and relationship between Sizhou Opera and other operas. Together with the popular Liuqin Opera in northern Jiangsu, Huaihai Opera, and Liuqin Opera in southern Shandong and southeast Henan, they belong to the sisterly opera of the soul and soul system of Jiangsu Province, and all originated in the area of Haizhou, Jiangsu Province (that is, Donghai County, Jiangsu Province). Pull soul spread to the northern part of Anhui then absorbed the local folk dance, folk music, become the local opera with the characteristics of northern Anhui-Sizhou opera. The second part investigates the influence of Northern Anhui folklore on Sizhou drama through the investigation of the time and place of the performance. The author finds that the performance of Sizhou opera is closely coordinated with folklore activities, and the time and place of Sizhou opera performance are closely related to folklore. Sizhou Opera has been integrated into the life of the people of Northern Anhui and become an integral part of the local spiritual culture. The third part analyzes the infiltration of folk culture in Sizhou drama. Sizhou plays rich, a wide range of subjects, content close to the people's life, extremely local flavor. Based on the analysis of the contents of the plays, the author finds that the folk customs of material life, social life and spiritual life in northern Anhui have different degrees of expression in the repertoire. Sizhou Opera is the image material of studying customs and customs in northern Anhui. The fourth part through the analysis of the language features of Sizhou opera, the author found that Sizhou opera in the spread of the process of absorption of the local characteristics of Anhui dialect, with simple and vivid, cordial and natural characteristics. The innovation of this paper is that, on the basis of extensively searching Sizhou drama script, visiting Sizhou drama research experts and Sizhou opera troupe, the author interprets Sizhou drama for the first time from the angle of folklore and culturology. Based on the analysis of the performances of Sizhou Opera, the contents of repertoire, language and so on, it is found that folklore activities, dialects and folk songs in Northern Anhui are the basis for the survival and development of Sizhou operas, and folklore activities affect the time and place of Sizhou opera performances. The subject matter of Sizhou Opera is also deeply permeated by folk customs. Return to the folk, blend in folk customs, reflect folklore, is where the life of Sizhou drama.
【學(xué)位授予單位】:安徽大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2010
【分類號】:J825

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 蔡奕賢;;廣東特色劇種展新貌[J];廣東藝術(shù);2010年06期

2 王濱梅;;與“九斤姑娘”成姻初探[J];文化藝術(shù)研究;2010年S1期

3 孫少強;;舞臺美術(shù)家與劇種美的創(chuàng)造[J];北方文學(xué)(下半月);2010年06期

4 陳儉波;;丑角談“丑行”[J];藝海;2011年07期

5 黃泳;;古老劇種與時代審美[J];廣東藝術(shù);2010年04期

6 ;西路亂彈[J];浙江檔案;2011年07期

7 靳曉莉;;魯西南傳統(tǒng)戲劇“兩夾弦”之文化探源[J];藝術(shù)評論;2011年09期

8 ;煤礦防突戰(zhàn)線上的“尖兵”——記安徽皖北煤電集團恒源股份祁東煤礦瓦斯綜合治理辦公室隊長羅虎[J];中國煤炭工業(yè);2011年05期

9 張愛蓮;;植于民間 興于民間——論花鼓戲的民間鄉(xiāng)土情結(jié)[J];藝海;2011年08期

10 張文明;;山東梆子藝術(shù)流派述略[J];大舞臺;2011年06期

相關(guān)會議論文 前10條

1 農(nóng)占成;;劇種要發(fā)展,人才是關(guān)鍵[A];云南省少數(shù)民族戲劇發(fā)展研討會論文專集[C];2001年

2 王勝華;;戲曲程式與民族劇種建設(shè)[A];云南省少數(shù)民族戲劇發(fā)展研討會論文專集[C];2001年

3 付竹瓊;;新的世紀(jì) 新的希望——云南省少數(shù)民族劇種發(fā)展研討會側(cè)記[A];云南省少數(shù)民族戲劇發(fā)展研討會論文專集[C];2001年

4 曲六乙;;樹立劇種本體意識——高甲戲《玉珠串》的挑戰(zhàn)[A];中國戲劇獎·理論評論獎獲獎?wù)撐募痆C];2009年

5 王忠亮;;“老腔”:神奇劇種風(fēng)雨史[A];三秦文化研究會年,

本文編號:2173934


資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/xijuwudaolunwen/2173934.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶c9a59***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com