【摘要】：浪漫主義作為一種文藝思潮，產(chǎn)生并風(fēng)行于十八世紀末十九世紀初的歐洲，適應(yīng)時代需要并影響后來歌劇事業(yè)發(fā)展的作品和作曲家應(yīng)運而生。多尼采蒂，作為意大利美聲樂派三巨頭之一，是羅西尼和威爾第之間承上啟下不可或缺的一環(huán)，被譽為意大利浪漫歌劇最重要的承前啟后的作曲大師。 多尼采蒂創(chuàng)作的快速多產(chǎn)、一氣呵成的特點，使他以高產(chǎn)量歌劇作曲家著稱。其歌劇作品浸潤在意大利歌劇的偉大傳統(tǒng)里，酣暢淋漓、揮灑自如地創(chuàng)造了一系列體裁不一、風(fēng)格各異的傳世佳作，令人嘆為觀止。多尼采蒂的各種體裁類型的歌劇作品詮釋了不同的經(jīng)典女性角色，如《愛的甘醇》中古靈精怪的阿迪娜，《唐帕斯夸萊》中活潑開朗的諾麗娜以及《拉美摩爾的露琪亞》中氣質(zhì)高雅、對愛情勇敢執(zhí)著的露琪亞，，這幾個角色在多尼采蒂賦予的戲劇性的故事情節(jié)和完美流暢旋律的結(jié)合下成為深入人心的歌劇人物，其唱段也被廣為流傳，成為如今舞臺表演的首選曲目和聲樂教學(xué)的經(jīng)典教材。 本文筆者結(jié)合自身的實際嗓音條件及所學(xué)專業(yè)，將多尼采蒂歌劇中的女性角色作為研究對象，首先對多尼采蒂的生平和歌劇創(chuàng)作背景進行簡要概括，其次從人物形象和音樂形象方面對多尼采蒂歌劇中具有代表性的女性角色阿迪娜、諾麗娜和露琪亞展開分析，并結(jié)合自身經(jīng)驗分析其主要唱段，在多面結(jié)合和剖析總結(jié)中領(lǐng)悟多尼采蒂歌劇創(chuàng)作的藝術(shù)特色，歌劇人物的音樂魅力以及其在世界歌劇事業(yè)發(fā)展歷史中的重要性。
[Abstract]:As a trend of thought in literature and art, romanticism came into being in Europe at the end of the eighteenth century and the beginning of the nineteenth century. The works and composers who adapted to the needs of the times and influenced the development of opera came into being. Donicetti, as one of the three giants of Italian Bel Music School, is an indispensable link between Rosini and Verdi, and is regarded as the most important composer of Italian romantic opera. Donetzetti's rapid and productive, one-stop characteristics made him famous as a high-yield opera composer. His opera works infiltrated in the great tradition of Italian opera and created a series of outstanding works of different genres and styles. Donetzetti's operas of various genres interpret different classic female characters. Such as the Adina of Gouling in "the Glycol of Love", the lively and cheerful Norina in "Don Pasquale" and the elegant Lucia in "Lucia of Latin America", who are brave and persistent in love, These characters have become popular opera figures with the combination of dramatic storylines and perfectly smooth melodies given by Donetti, and their verses have also been widely circulated. To become the first choice for stage performance and vocal teaching classic teaching materials. In this paper, combining with my own actual voice conditions and my major, I take the female role in Donizetti opera as the research object. First of all, I briefly summarize Donizetti's life and background of opera creation. Secondly, it analyzes the representative female characters Adina, Norina and Lucia in Donetzetti's operas from the aspects of characters and musical images, and analyzes their main chants in combination with their own experience. In this paper, we understand the artistic characteristics of Donizetti's opera creation, the musical charm of opera characters and its importance in the history of the development of world opera.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J832

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 朱證穎;多尼采蒂歌劇《唐帕斯夸萊》女主角諾麗娜唱段的分析與演繹[D];西安音樂學(xué)院;2013年

本文編號：2157038