【摘要】： 贛南客家采茶戲是贛南土生土長的民間歌舞小戲劇種,俗稱“燈子戲”,又名“三角班”。采茶戲在歷史發(fā)展過程中既保持自己獨特的文化,又形成了與全國地方劇種相互借鑒、學習的優(yōu)良品格。在演劇上形成了“兩旦一丑”的模式;在劇情上、音樂上也不斷發(fā)展與完善,創(chuàng)造了社會的鄉(xiāng)俗與文明。 本論文采用民族音樂學的理論與方法,對贛南客家采茶戲旦角藝人、演員進行了個案調(diào)查與分析,通過以徐榮秀、陳美艷、黃玉英、龍紅四位不同經(jīng)歷、不同發(fā)展階段的旦角藝人、演員的劇目和曲牌唱腔的比較與歸納,探求了贛南客家采茶戲旦角唱腔在音樂形態(tài)上具有高音起腔、多用羽音、擅用拖腔、潤腔和緊拉慢唱等特點,以及旦角唱腔對采茶戲劇種傳承與發(fā)展的貢獻。本文以為,贛南客家采茶戲雖是一種民歌式曲牌體連綴的地方劇種,在唱腔的音樂形態(tài)上、演唱上旦角和丑角唱腔都具有自身獨有的風格和特征;同時,旦角唱腔的形成是一個逐步發(fā)展與繁榮的過程,經(jīng)過幾代旦角藝人和演員的薪火相傳,在當代客家采茶戲中,形成了旦角表演體系中人物類型化和唱腔類型化的特征。
[Abstract]:Gannan Hakka tea-picking drama is a kind of folk music and dance drama born and raised in Gannan, commonly known as "Lantern Opera", also known as "Triangle Class." Tea picking drama not only maintains its own unique culture in the course of historical development, but also forms a good character of learning from each other. The model of "two days and one ugliness" has been formed in the drama, and in the plot, the music has been developed and perfected constantly, creating the local custom and civilization of the society. This paper adopts the theory and method of ethnomusicology to investigate and analyze the artists and actors of the Hakka tea picking opera in Gannan. Through four different experiences, Xu Rongxiu, Chen Meiyan, Huang Yuying and Long Hong, The comparison and induction of the performers' repertoire and the singing songs of the performers at different stages of development have explored the characteristics of the musical form of the Gannan Hakka tea picking opera, such as the singing of the tenor, the plume, the good use of drag, the moistening and the slow singing, and so on. As well as the danjiao singing to the tea-picking drama inheritance and development of the contribution. This paper holds that although Gannan Hakka tea picking opera is a kind of local opera with folk songs, the singing of the upper star and the clown has its own unique style and characteristics in the musical form of singing. The formation of danjiao singing is a process of gradual development and prosperity. After several generations of danjiao artists and actors, in the contemporary Hakka tea picking drama, it forms the characteristics of personage type and singing type in the performance system of Danjiao.
【學位授予單位】：福建師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J825

【引證文獻】

相關(guān)期刊論文 前1條

1 彭一敏;歐陽紹清;;非物質(zhì)文化遺產(chǎn)“合理利用”問題的探討[J];學術(shù)探索;2012年02期

相關(guān)碩士學位論文 前1條

1 許華春;贛南采茶舞蹈文化中的客、畬混化研究[D];福建師范大學;2012年

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本文編號：2142566