發(fā)布時間：2018-07-24 08:59

【摘要】：《品梅記》是1919年梅蘭芳首次出訪日本時由日方出版發(fā)行的一本評論集,近一百年來受到中國學界的高度重視。由于缺乏對此書總體的把握,也造成了一些錯誤理解。本文作者在完成《品梅記》全書翻譯之后,希望厘清此書的背景因素,包括梅蘭芳第一次訪日的行程、演出劇目與演出形式、此書作者群及其京都中國研究學派的特征,強調此書的價值不僅在于真實保留了當時日本對梅蘭芳和中國京劇藝術的觀感、評價,同時也是反映日本學者在社會轉折時期對自身重新定位的寶貴材料。
[Abstract]:Pinmei Ji is a collection of comments published by Japan during Mei Lanfang's first visit to Japan in 1919. It has been highly valued by Chinese scholars in recent 100 years. The lack of a general grasp of the book has also led to some misunderstandings. After completing the translation of the book, the author wishes to clarify the background factors of the book, including the itinerary of Mei Lanfang's first visit to Japan, the repertoire and the form of the performance, and the characteristics of the author group and the Kyoto School of Chinese Studies. The value of this book lies not only in preserving the Japanese perception and evaluation of Mei Lanfang and the art of Chinese Peking Opera, but also in reflecting the Japanese scholars' repositioning of themselves in the social transition period.
【作者單位】： 中國藝術研究院戲曲研究所;
【分類號】：J809.2

【參考文獻】

相關期刊論文 前1條

1 魏奕雄;郭沫若與田中慶太郎[J];郭沫若學刊;1992年01期

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本文編號：2140874