【摘要】：正秦腔是廣泛分布于西北的戲曲藝術樣態(tài),其根植的土地就是人民群眾,因此從誕生之日就貼合普羅大眾的審美趣味。在秦腔舞臺實踐中不難發(fā)現(xiàn),脫離了人民群眾審美趣味的劇目,即便是以“創(chuàng)新”為標榜進行的傳統(tǒng)劇目再創(chuàng)作,或是投入了大量人力物力進行的新編戲創(chuàng)作,無論其闡釋的是多么高尚的情懷,都很難獲得觀眾的認可。反之,用平民視野進行關照生活,并
[Abstract]:Zheng Qin Opera is widely distributed in the northwest of the art of opera, its root of the land is the people, so from the day of its birth to the general public aesthetic taste. In the Qin Opera stage practice, it is not difficult to find that the repertoire, which is divorced from the aesthetic taste of the masses, even if it is the re-creation of the traditional repertoire promoted by "innovation", or the creation of the new opera that has invested a great deal of manpower and material resources. No matter how noble the interpretation is, it is difficult to get the approval of the audience. Instead, take care of life from the perspective of the populace, and

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