【摘要】： 中國戲曲是東方表演藝術的瑰寶,其虛擬、寫意的表現手法,體現了中國古典哲學和傳統(tǒng)文化的深厚背景,而具有寫實風格的西方油畫藝術,發(fā)展到后印象派,也開始注重并強調畫家對客觀世界的主觀感受,以達到超越自然,實現超自然感覺的情感本質,這與中國傳統(tǒng)文化超越真實、化意象為美的原則和標準具有殊途同歸之妙。怎樣更好的運用西方的繪畫手段來表現極具東方神韻的傳統(tǒng)文化,則是一個充滿挑戰(zhàn),更需深入研究的課題。
[Abstract]:Chinese opera is the treasure of oriental performing art. Its virtual and freehand expression techniques embody the deep background of Chinese classical philosophy and traditional culture, and the western oil painting art with realistic style has developed into post-impressionism. In order to achieve the emotional essence of transcending nature and realizing supernatural feeling, the painter began to pay attention to and emphasize the subjective feeling of the objective world, which is the same way as the principle and standard of Chinese traditional culture surpassing reality and turning image into beauty. How to better use the means of Western painting to express the traditional culture with Oriental charm is a challenging subject that needs further study.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J805;J205

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相關期刊論文 前2條

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本文編號：2126478