本文選題：張忠良 + 一江春水��； 參考：《上海音樂學(xué)院》2017年碩士論文

【摘要】：《一江春水》是由我國(guó)著名聲樂教育家周小燕先生擔(dān)任藝術(shù)總監(jiān),著名作曲家郝維亞作曲,羅懷臻、喻江、羅周編劇的中國(guó)原創(chuàng)歌劇。作為新生中國(guó)原創(chuàng)歌劇,目前為止還未出現(xiàn)對(duì)該歌劇及歌劇人物的長(zhǎng)篇研究論著,多以樂評(píng)期刊為主,對(duì)于可研究參考的文獻(xiàn)資料相對(duì)甚少。本論文從自身演出實(shí)踐經(jīng)驗(yàn)出發(fā),以劇中人物張忠良的戲劇情感和演唱技法為以及與其他歌劇人物的戲劇關(guān)系為研究視角,并對(duì)歌劇《一江春水》的創(chuàng)作背景、劇情進(jìn)行分析,以此為關(guān)于歌劇《一江春水》的演唱研究文獻(xiàn)增加參考資料。
[Abstract]:Chun Shui is a Chinese original opera composed by famous Chinese vocal music educator, Mr. Zhou Xiaoyan as artistic director, composer Hao Wei Zhen, Luo Huaizhen, Yu Jiang, and Luo Zhou screenplay. As a freshman Chinese original opera, so far there has not been a long research on the opera and its characters, mostly in the music review journal, and there are relatively few references for the literature that can be studied and referenced. This thesis starts from its own performance practice experience, takes the drama emotion and singing technique of the character Zhang Zhongliang in the play as well as the drama relations with other opera characters as the research angle, and analyzes the background and plot of the opera "one River Spring Water". This is a reference for the singing research literature of opera "one River and Spring Water".
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J822;J617.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 楊燕迪;;“問君能有幾多愁”——評(píng)歌劇《一江春水》[J];人民音樂;2015年01期

2 張?chǎng)?;中國(guó)民族歌劇演唱風(fēng)格探微[J];科教文匯(上旬刊);2009年11期

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本文編號(hào)：2113536