本文選題：教堂儀式劇 + 附加段　； 參考：《戲劇文學(xué)》2016年07期

【摘要】：英國(guó)教堂儀式劇產(chǎn)生的過程是極其漫長(zhǎng)和復(fù)雜的,它體現(xiàn)了中世紀(jì)基督教對(duì)戲劇藝術(shù)的復(fù)雜態(tài)度。早期基督教吸收了具有戲劇色彩的異教祭祀節(jié)日,進(jìn)而使得基督教崇拜活動(dòng)具有戲劇的成分,一些附加在復(fù)活節(jié)彌撒儀式之中的"附加段",作為"準(zhǔn)戲劇"成為中世紀(jì)戲劇的雛形。在復(fù)活節(jié)和圣誕節(jié)"附加段"的基礎(chǔ)上,隨著越來越多的對(duì)話內(nèi)容和人物的增加,以及對(duì)其中扮演的指令性要求,"附加段"從準(zhǔn)戲劇最終成為了戲劇——教堂儀式劇。教堂儀式劇主要服務(wù)于教會(huì)的崇拜活動(dòng),因此它的發(fā)展極為有限,但它們提供了將圣經(jīng)故事進(jìn)行戲劇表演的范例,成為中世紀(jì)各種宗教劇孕育的搖籃。
[Abstract]:The process of churchwork is extremely long and complex, which reflects the complex attitude of medieval Christianity to drama art. Early Christianity absorbed the dramatic pagan festival, which made the Christian worship have a dramatic element. Some additional passages attached to the Easter Mass as quasi-dramas became the embryonic form of medieval drama. On the basis of Easter and Christmas "additional paragraphs", with more and more dialogue content and characters, as well as the mandatory requirements, the "additional paragraph" from quasi-drama to a drama-church ritual drama. Church ceremonial plays mainly serve the worship activities of the church, so its development is very limited, but they provide examples of the dramatic performance of biblical stories and become the cradle of various religious plays in the Middle Ages.
【作者單位】： 許昌學(xué)院文學(xué)院;
【基金】：2013年國(guó)家社科基金項(xiàng)目“英國(guó)中世紀(jì)戲劇流變研究(5-15世紀(jì))”(13CWW024)的階段性成果。本人為該項(xiàng)目的主持人
【分類號(hào)】：J809.561
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本文編號(hào)：2107876