本文選題：海外粵劇 + 文化轉(zhuǎn)型　； 參考：《貴州社會科學(xué)》2016年07期

【摘要】：20世紀(jì)三、四十年代,粵劇在海外的傳播在經(jīng)歷了近半個(gè)世紀(jì)的繁榮之后,開始陷入蕭條。戰(zhàn)火頻仍是導(dǎo)致這一時(shí)期海外粵劇式微的主要原因,戰(zhàn)后華僑華人身份認(rèn)同的疏離、粵劇電影的沖擊、文化轉(zhuǎn)型、娛樂方式的轉(zhuǎn)變等也是影響粵劇發(fā)展的外在因素。從業(yè)藝人的銳減、劇本的老化、演出質(zhì)量的下降等則是粵劇衰落的內(nèi)在原因。
[Abstract]:In the 1930s and 1940s, Cantonese opera spread abroad, after nearly half a century of prosperity, began to slump. The frequent war is still the main reason for the decline of overseas Cantonese opera in this period. The alienation of the identity of overseas Chinese and Chinese after the war, the impact of Cantonese opera films, the cultural transformation and the change of entertainment mode are also the external factors that affect the development of Cantonese opera. The decline of entertainers, the aging of scripts and the decline of performance quality are the internal reasons for the decline of Cantonese opera.
【作者單位】： 肇慶學(xué)院;
【基金】：教育部人文社會科學(xué)研究規(guī)劃基金項(xiàng)目“近現(xiàn)代粵劇海外傳播研究”(14YJA760025)
【分類號】：J825

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