本文選題：勝浦宣卷 + 民俗藝術(shù)　； 參考：《江蘇社會(huì)科學(xué)》2017年04期

【摘要】：本文通過考察蘇州勝浦宣卷的變遷過程,揭示現(xiàn)代化、城市化對(duì)類似勝浦宣卷這樣民俗藝術(shù)帶來(lái)的兩面性影響,即遭遇傳統(tǒng)破壞又經(jīng)歷現(xiàn)代發(fā)展,并不僅僅表現(xiàn)為消極的負(fù)面影響,而且同時(shí)帶來(lái)了積極的正面的推進(jìn)作用。一方面,現(xiàn)代化、城市化帶來(lái)了勝浦人生活空間的劇烈變化,侵蝕了傳統(tǒng)文化賴以生存的傳統(tǒng)生活場(chǎng)域;另一方面,非物質(zhì)文化遺產(chǎn)保護(hù)觀念與實(shí)踐使曾經(jīng)不受重視、甚至被貶低的勝浦宣卷這一草根民俗文化得到了承認(rèn)。非遺保護(hù)對(duì)民俗藝術(shù)的"喚起作用"推進(jìn)了勝浦宣卷文化認(rèn)同之自覺性的生發(fā),促進(jìn)其從謀生手段向藝術(shù)傳承的目的轉(zhuǎn)換。
[Abstract]:Through the investigation of the vicissitude of Sheng Pu Xuan volume in Suzhou, this paper reveals the dual influence of modernization and urbanization on the folk art such as Sheng Pu Xuan volume, that is, the traditional destruction and the modern development, not only negative and negative, but also positive positive propulsion. On the one hand, modernization, Urbanization has brought the dramatic changes in the living space of the Sheng Pu people, eroding the traditional living field on which the traditional culture is living. On the other hand, the concept and practice of the protection of the intangible cultural heritage have not been paid much attention to, or even the demotion of the grass-roots folk culture of Sheng Pu Xuan roll, which has been recognized. The non remains protection is the "evoking" of folk art. It promotes the spontaneous development of Sheng Pu Xuan's cultural identity, and promotes its transformation from the means of making a living to the purpose of artistic inheritance.
【作者單位】： 南京農(nóng)業(yè)大學(xué)公共管理博士后流動(dòng)站;南京農(nóng)業(yè)大學(xué)人文與社會(huì)發(fā)展學(xué)院;
【基金】：南京農(nóng)業(yè)大學(xué)中央高校基本科研業(yè)務(wù)費(fèi)人文社會(huì)科學(xué)研究基金面上項(xiàng)目“城市化背景下蘇州勝浦‘非遺’保護(hù)的文化功能研究”(項(xiàng)目編號(hào):SK2016027)階段性成果
【分類號(hào)】：J826

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本文編號(hào)：2090386