本文選題：黃梅戲 + 影視化��； 參考：《東華理工大學(xué)》2012年碩士論文

【摘要】：黃梅戲是安徽省的特色劇種之一，在全國有著重要影響。在黃梅戲百余年的發(fā)展歷程中，經(jīng)歷了由歌舞而小戲、小戲而大作等一次次新模式的探索與嘗試，影視化的進(jìn)程便是其與新媒體結(jié)合而產(chǎn)生的又一種的新探索。雖然黃梅戲影視化的歷程較短，但它的藝術(shù)再創(chuàng)造性及廣泛的傳播效能等，在給中國戲曲藝術(shù)注入活力的同時(shí)，也給學(xué)術(shù)界提供戲曲發(fā)展規(guī)律及發(fā)展空間等更廣闊的研究視野，以及戲曲創(chuàng)新機(jī)制的理論思考。 黃梅戲影視化進(jìn)程中出現(xiàn)過一批又一批的表演藝術(shù)家，她（他）們用自己的艱辛付出和智慧為黃梅戲的發(fā)展和傳承作出了突出的貢獻(xiàn)，如最早納入影視化視野的嚴(yán)鳳英，一部《天仙配》讓黃梅戲紅透大江南北；又如韓再芬的黃梅系列影視劇，把諸多后現(xiàn)代元素揉入黃梅戲綜合藝術(shù)之中，在影視圈內(nèi)再次掀起黃梅戲熱。而在嚴(yán)氏、韓氏之間，黃梅戲的中堅(jiān)力量也頗多可圈可點(diǎn)者，如吳亞玲、馬蘭等。本文即以馬蘭為案例，，探討影視化進(jìn)程中黃梅戲影視作品的角色形象塑造和審美意識(shí)等問題。 本論文由緒論、正文、結(jié)語、致謝和參考文獻(xiàn)等部分組成。緒論部分簡(jiǎn)略闡述選題的目的與意義、黃梅戲影視化發(fā)展的研究現(xiàn)狀，以及本文的研究方向及研究方法等。 正文部分共分為三章，第一章主要對(duì)傳統(tǒng)黃梅戲及其特色進(jìn)行簡(jiǎn)要闡述，分析了黃梅戲影視化三個(gè)不同時(shí)期的表演藝術(shù)主流趨勢(shì)，介紹馬蘭的藝術(shù)道路及其在黃梅戲影視化進(jìn)程中的作用； 第二章通過對(duì)馬蘭在黃梅戲影視作品中扮演的角色形象進(jìn)行分析，進(jìn)而探討馬蘭黃梅戲影視作品中的角色設(shè)置及表演方式對(duì)黃梅戲影視化進(jìn)程的影響； 第三章從美學(xué)的角度考察馬蘭黃梅戲影視作品的藝術(shù)審美特征、審美意識(shí)和審美價(jià)值，對(duì)于黃梅戲影視化發(fā)展是保留傳統(tǒng)，還是進(jìn)一步創(chuàng)新也有進(jìn)一步思考。
[Abstract]:Huangmei Opera is one of the characteristic plays in Anhui Province, which has an important influence in the whole country. In the development of Huangmei Opera for more than one hundred years, it has experienced the exploration and attempt of a new pattern, such as singing and dancing and small drama, and so on. The process of film and television is another kind of new exploration produced by the combination of the film and television with the new media. Although the film and television process of Huangmei Opera is relatively short, its artistic re-creation and extensive spreading efficiency, while injecting vitality into the Chinese opera art, also provide a broader research field for the academic circles, such as the development law and space for the development of traditional Chinese opera. And the theoretical thinking of the innovative mechanism of opera. In the process of film and television of Huangmei Opera, there have been a number of performing artists, and she (he) has made outstanding contributions to the development and inheritance of Huangmei Opera with their painstaking efforts and wisdom, such as the Yan Fengying, which was first included in the visual field of film and television. A "Tianxian match" lets Huangmei Opera become red through the river, and Han Zaifen's Huang Mei series puts a lot of post-modern elements into the comprehensive art of Huangmei Opera, which once again raises the popularity of Huangmei Opera in film and television circles. Between Yan and Han, the backbone of Huang Mei Opera is also quite remarkable, such as Wu Yaling, Ma Lan and so on. Taking Ma Lan as a case, this paper discusses the role image shaping and aesthetic consciousness of Huangmei Opera film and television works in the process of film and television. This thesis is composed of introduction, text, conclusion, thanks and references. In the introduction part, the purpose and significance of the topic, the present situation of the development of the film and television of Huangmei Opera, and the research direction and research methods of this paper are briefly described. The main body part is divided into three chapters. The first chapter mainly expounds the traditional Huangmei Opera and its characteristics, and analyzes the mainstream trend of the performance art in three different periods of the film and television of Huangmei Opera. This paper introduces the art path of Ma Lan and its role in the process of film and television of Huangmei Opera. The second chapter analyzes the role of Ma Lan in the film and television works of Huangmei Opera. The third chapter discusses the artistic aesthetic characteristics of Ma Lan Huangmei Opera film and television works from the perspective of aesthetics, and discusses the influence of the role setting and performing mode on the process of film and television of Huangmei Opera in Ma Lan, the third chapter discusses the art aesthetic characteristics of Ma Lan Huangmei Opera film and television works from the angle of aesthetics. Aesthetic consciousness and aesthetic value, for the development of film and television Huangmei Opera is to retain the tradition, or further innovation.
【學(xué)位授予單位】：東華理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J825

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