本文選題：東北大秧歌 + 東北二人轉(zhuǎn)　； 參考：《戲劇文學(xué)》2017年01期

【摘要】：正引子二人轉(zhuǎn)當(dāng)下已被世人公認為東北藝術(shù)王牌,土野藝術(shù)魂魄的精靈。它“九腔十八調(diào)七十二咳咳”,唱遍了全中國,又到外國唱去。三百年,久唱不衰!然而,它的父叫什么名,母稱什么氏,來自何處?生于何方?迄今為止,見諸文字的諸家之說,已逾二十幾種之多。有說是唐朝誕生的;有說是宋朝留下的;有說是明朝傳過來的;有說是清朝蓮花落演變的;有說是花鼓戲發(fā)展的;有說是行乞的丐歌形成的;有說是薩滿先唱的;還有
[Abstract]:At present, it has been recognized as the spirit of northeast art trump card and native art soul. It sang all over China and went abroad to sing "72 cough in Nine and Eighteen tune." Three hundred years, long singing! However, what is the name of its father, what is its mother's name, and where does it come from? Born where? So far, there are more than two dozen theories of writing. Some said it was born in the Tang Dynasty; some said it was left behind by the Song Dynasty; some said it was passed down from the Ming Dynasty; some said it had evolved in the Qing Dynasty; some said it was the development of the flower drum drama; some said it was the beggar song that came into being; some said it was sung by Shaman first; and

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