本文選題：非遺 + 侗戲��； 參考：《吉首大學(xué)》2017年碩士論文

【摘要】：侗戲是侗族傳統(tǒng)文化的代表,在2006年被列入了第一批國家級(jí)非物質(zhì)文化遺產(chǎn)。侗戲作為侗族文化的重要表現(xiàn)形式,它的戲曲樣式是獨(dú)具魅力的,是侗族人民自己的戲劇。侗戲在侗族文化中占有很重要的位置,也在我國的戲劇百花園里占有一席之地,它主要是由人物角色的表現(xiàn)、唱腔的表演、故事情節(jié)的展現(xiàn)、以及舞臺(tái)布景等方面構(gòu)成的綜合藝術(shù)。隨著侗戲被列入了非物質(zhì)文化遺產(chǎn),也標(biāo)志著侗戲已進(jìn)入國家視野受到重視,同時(shí),也給侗戲提供了一個(gè)發(fā)展的空間和機(jī)遇。在現(xiàn)今社會(huì),雖然侗戲還是發(fā)展的比較緩慢,但它的地方區(qū)域特色和民族特色鮮明,有比較深的群眾基礎(chǔ),深得百姓喜歡。本文以通道陽爛為例,運(yùn)用了民族學(xué)中的訪談法、比較法以及在查閱文獻(xiàn)資料的基礎(chǔ)上進(jìn)行了田野調(diào)查。探討了侗戲的歷史源流、傳承場域以及它的表演特色,探討了民間侗戲與舞臺(tái)侗戲的基本特征以及變遷研究,分析了侗戲的文化價(jià)值,分析了侗戲傳承所面臨的困惑以及侗戲傳承的發(fā)展策略。通過這些調(diào)查研究發(fā)現(xiàn)侗戲目前存在專業(yè)演員減少、演員老齡化、各侗寨之間交流少等困境。究其原因是現(xiàn)代文化的大力發(fā)展,造成了傳統(tǒng)民間藝術(shù)不斷被多元文化沖擊;當(dāng)?shù)卮逭械膭?wù)農(nóng)人口大量的涌向城市,影響了很多村寨人的思想觀念;許多侗戲劇本沒有得到很好的重視和保護(hù)而丟失。由此可見,民間侗戲的傳承、改革和發(fā)展已經(jīng)是迫在眉睫,尋求相應(yīng)的對(duì)策和建議具有現(xiàn)實(shí)意義,本文在此基礎(chǔ)上提出了侗戲保護(hù)和傳承可供選擇的主要方式方法。
[Abstract]:Dong Opera is the representative of Dong traditional culture, which was listed as the first national intangible cultural heritage in 2006. As an important form of expression of Dong nationality culture, Dong Opera has its unique charm and is the drama of Dong people. Dong opera occupies a very important position in Dong culture and occupies a place in the hundred gardens of drama in our country. It is mainly made up of the expression of characters, the performance of singing, the display of the story plot. As well as the stage scenery and other aspects of the composition of the art. With the Dong Opera listed in the intangible cultural heritage, it also indicates that the Dong Opera has been paid attention to in the national field of vision. At the same time, it also provides a space and an opportunity for the development of the Dong Opera. In the present society, although the Dong Opera is still developing slowly, its local and national characteristics are distinct, have a deeper mass base, and are popular with the common people. This paper takes the passageway as an example, uses the interview method in ethnology, the comparative method, and carries on the field investigation on the basis of consulting the literature. This paper probes into the historical origin, inheritance field and performance characteristics of Dong Opera, probes into the basic characteristics and changes of folk Dong Opera and stage Dong Opera, and analyzes the cultural value of Dong Opera. This paper analyzes the confusion of Dong Opera inheritance and the development strategy of Dong Opera inheritance. Through these studies, we find that there are many difficulties in Dong Opera, such as the decrease of professional actors, the aging of actors and the lack of communication between Dong and Zhai. The reason is that the vigorous development of modern culture has caused the traditional folk art to be constantly impacted by multiculturalism, and the rural population in the local village has poured into the city, which has affected the ideology of many villagers. Many plays of Dong Opera were lost without good attention and protection. It can be seen that the inheritance, reform and development of folk Dong opera is imminent. It is of practical significance to seek corresponding countermeasures and suggestions. On this basis, this paper puts forward the main ways and means of protection and inheritance of Dong opera.
【學(xué)位授予單位】：吉首大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J825

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本文編號(hào)：2084754