本文選題：戲曲 + 跨文化傳播��； 參考：《戲曲藝術(shù)》2014年04期

【摘要】：本文基于實(shí)驗(yàn)研究的積累,從跨文化傳播學(xué)的角度,探討在二十一世紀(jì)全球化背景下,中國(guó)古老的戲曲藝術(shù)如何打通文化視域,突破時(shí)空限制,突破藝術(shù)形式,創(chuàng)造一種不同民族之間共通的、具有人類普適意義的藝術(shù)價(jià)值。本文首次提出中國(guó)戲曲跨文化傳播的"原態(tài)"創(chuàng)新模式和"動(dòng)態(tài)"創(chuàng)新模式。"原態(tài)"包含兩個(gè)方面的內(nèi)涵:一方面,保持了中國(guó)戲曲傳統(tǒng)的藝術(shù)形式和藝術(shù)特征的延續(xù)性,和不以時(shí)代變化為轉(zhuǎn)移的、超越時(shí)代的個(gè)性特征;另一方面,"原態(tài)"也包含著隨著時(shí)代變化,在本土文化影響下,戲曲藝術(shù)本體的漸變式豐富和發(fā)展。"動(dòng)態(tài)",則包含更為豐富的內(nèi)涵,是指:跨越了時(shí)空的場(chǎng)域,立足民族藝術(shù)的世界性,創(chuàng)造出突破傳統(tǒng)的新的藝術(shù)價(jià)值,這種變化是顯性的,是涉及藝術(shù)形式的,是基于文化的碰撞、交流、融合、沖突、妥協(xié)而產(chǎn)生的創(chuàng)造性的變化,它包含著跨文化語(yǔ)境下的中西戲劇交匯、中西多種藝術(shù)形式的交匯所產(chǎn)生的顯變式融合和持續(xù)性創(chuàng)新。
[Abstract]:Based on the accumulation of experimental research, this paper, from the perspective of cross-cultural communication, discusses how the ancient Chinese opera art, under the background of globalization in the 21 century, can break through the cultural horizon, break through the limitation of time and space, and break through the art form. To create a common and universal artistic value among different nationalities. This paper puts forward the "original" innovation mode and "dynamic" innovation mode of cross-cultural communication of Chinese opera for the first time. " The original state contains two aspects: on the one hand, it maintains the continuity of the traditional art form and artistic characteristics of Chinese opera, and the personality characteristics that transcend the times without the change of the times; On the other hand, "the original state" also contains the gradual enrichment and development of opera art Noumenon under the influence of local culture. "dynamic", on the other hand, contains more abundant connotations. It means that it has crossed the field of time and space, established itself in the world of national art, and created a new artistic value that breaks through the tradition. This change is explicit and involves artistic forms. It is a creative change based on the collision, communication, fusion, conflict and compromise of culture. It contains the cross cultural context of Chinese and Western drama, the combination of Chinese and Western art forms of the obvious fusion and continuous innovation.
【作者單位】： 北京大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J805

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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本文編號(hào)：2084370