本文選題：江蘇梆子 + 清朝時(shí)期��； 參考：《中國戲劇》2014年12期

【摘要】：正江蘇梆子,俗稱大戲,亦名徐州梆子,流行于江蘇省徐州一帶,是豫劇、山東梆子等流入徐州地區(qū)之后,結(jié)合當(dāng)?shù)胤窖酝琳Z,吸收當(dāng)?shù)厍嚒⒚窀?并融合其它外來劇種逐漸發(fā)展而成。清朝時(shí)期,形成了以沛縣為中心和主流的具有一定地方特色的戲曲,所以又稱沛縣梆子。解放后,江蘇省政府把在江蘇的各地豫劇團(tuán)融合,正式定名為江蘇梆子。一、江蘇梆子與豫劇的歷史淵源明末清初山陜梆子傳入山東,形成山東梆子。山東梆子藝人主要活動魯西南、魯南和蘇北地區(qū),徐州群眾對山東梆子異常喜愛,邀請了許多山東梆子藝人定居徐州受徒傳藝。清乾隆七年(1742),徐州云龍山所刻
[Abstract]:Jiangsu Bangzi, also known as Grand Opera, also known as Xuzhou Bangzi, which is popular in Xuzhou, Jiangsu Province, is a Henan opera, Shandong Bangzi and other into the Xuzhou area, combined with the local dialect vernacular, absorbing local qu Yi, folk songs, And the integration of other foreign drama gradually developed. During the Qing Dynasty, Peixian as the center and mainstream opera with certain local characteristics, also known as Peixian Bangzi. After liberation, Jiangsu provincial government in Jiangsu Henan opera troupe fusion, officially named Jiangsu Bangzi. First, the historical origin of Jiangsu Bangzi and Henan Opera, Shan Shan Bangzi introduced into Shandong in the late Ming and early Qing Dynasty, forming Shandong Bangzi. Shandong Bangzi artists main activities of southwest Shandong, southern Shandong and northern Jiangsu, Xuzhou people to Shandong Bangzi unusual love, invited many Shandong Bangzi artists settled in Xuzhou to receive the art. Seven years of Qianlong in Qing Dynasty (1742), carved in Yunlong Mountain, Xuzhou
【作者單位】： 江蘇師范大學(xué)音樂學(xué)院;
【基金】：教育部人文社科基金項(xiàng)目:“中國傳統(tǒng)聲樂理論研究”階段性成果,項(xiàng)目編號:11YJA760013
【分類號】：J825

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