本文選題：朝陽(yáng)溝 + 楊蘭春��； 參考：《戲劇文學(xué)》2017年01期

【摘要】：豫劇《朝陽(yáng)溝》創(chuàng)作于"大躍進(jìn)"時(shí)期,以宣傳知識(shí)青年"上山下鄉(xiāng)"為主題,但卻沒(méi)有像同時(shí)期的大部分作品一樣速成、速朽,而是至今仍廣為流傳、受到許多人喜愛(ài)。究其原因大致有:它在政策宣傳的堅(jiān)硬外殼之下,繼承民間文學(xué)的成果,以農(nóng)民熟悉的生活化語(yǔ)言,講述了一個(gè)現(xiàn)代、現(xiàn)實(shí)版的"七仙女下凡"故事,描繪出人們對(duì)理想生活的想像圖景。電影對(duì)舞臺(tái)版的精煉、提升,以及這一新媒介低成本的廣泛傳播。豫劇三團(tuán)專業(yè)水平高超的編曲、演員的演繹。
[Abstract]:"Chaoyang ditch" was written in the period of "Great Leap forward", with the theme of propagandizing the intellectual youth "going to the countryside", but not as fast as most of the works of the same period, but it is still widely circulated and loved by many people. The reasons are roughly: under the hard shell of policy propaganda, it inherits the achievements of folklore and tells a modern, realistic version of the story of "Seven Fairy Fairy" in the familiar living language of farmers. A picture of one's ideal life. The film refines and promotes the stage version, as well as the low-cost spread of this new medium. Henan Opera three troupes professional high level of composition, actor's interpretation.
【作者單位】： 周口師范學(xué)院文學(xué)院;
【分類號(hào)】：J825
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本文編號(hào)：2070375