本文選題：布依戲 + 藝術(shù)審美　； 參考：《貴州民族學(xué)院》2010年碩士論文

【摘要】：自20世紀(jì)80年代以來(lái),伴隨著民俗學(xué)、文化人類學(xué)的田野調(diào)查方法在戲劇研究中被普遍運(yùn)用,戲劇研究的重心開(kāi)始從案頭和舞臺(tái)走向田野,民族民間戲劇的各種表演形態(tài)也因此倍受關(guān)注。布依戲是流行于貴州省黔西南布依族苗族自治州南盤(pán)江沿岸布依族中的戲曲劇種,已有一百多年的發(fā)展歷史,因其表演中富含濃郁的民族色彩與地方特色,而深受布依族群眾的歡迎與喜愛(ài),成為布依族社會(huì)生活中一種不可或缺的重要娛樂(lè)方式。 本論文以藝術(shù)審美為旨?xì)w,對(duì)布依戲進(jìn)行了多層次、多角度的審美觀照,力求比較全面地呈示出這一民族戲曲劇種獨(dú)特的審美特征、審美氣質(zhì)、審美風(fēng)格,彰顯出布依族別樣的審美心理、審美需要、審美定勢(shì)、審美想像,建構(gòu)出布依戲比較完整的審美景觀,并最終實(shí)現(xiàn)對(duì)布依戲?qū)徝酪?guī)律的深度把握。由于藝術(shù)審美含蘊(yùn)了對(duì)現(xiàn)實(shí)人生的超越性想像,因而,這樣的研究視點(diǎn),更易抵達(dá)布依戲戲曲藝術(shù)發(fā)展規(guī)律的本質(zhì)層面。具體來(lái)說(shuō),本論文關(guān)于布依戲藝術(shù)的審美觀照主要涵括了如下內(nèi)容: 緒論部分對(duì)目前學(xué)界研究布依戲的現(xiàn)狀予以述評(píng),并厘清了布依戲藝術(shù)審美的基本內(nèi)涵。同時(shí),闡發(fā)了本研究的價(jià)值、目的、創(chuàng)新之處,以及具體的研究方法。勾勒出前人研究概貌與本論文研究構(gòu)想是其主旨所在。 第一章“布依戲的生態(tài)環(huán)境”,圍繞布依戲的自然生態(tài)、人文生態(tài),以及與布依戲有關(guān)聯(lián)的其他鄉(xiāng)土演劇等三個(gè)方面加以論述。這三個(gè)方面都是布依戲賴以形成、發(fā)展的基礎(chǔ)和條件,同時(shí)也是布依戲?qū)徝佬螒B(tài)呈現(xiàn)的內(nèi)在根據(jù)。換言之,正因?yàn)橛辛巳绱说纳鷳B(tài)環(huán)境,布依戲才出現(xiàn)了如此的審美形態(tài),二者是決定與被決定的關(guān)系。因此,本章內(nèi)容是本論文得以展開(kāi)的根基所在,具有重要的意義。 第二章“布依戲的藝術(shù)形態(tài)”,概述性地介紹了布依戲的劇目形態(tài)、音樂(lè)形態(tài)、舞臺(tái)動(dòng)作、舞臺(tái)美術(shù)的基本情況,力圖呈示出布依戲比較完整的藝術(shù)面貌,從而為下一章對(duì)布依戲進(jìn)行全面的藝術(shù)審美奠定了立論基礎(chǔ)。 第三章“布依戲的藝術(shù)審美”,為本論文的重點(diǎn)所在。論述內(nèi)容幾乎關(guān)涉布依戲中的所有戲曲要素,包括劇目、音樂(lè)、戲曲語(yǔ)言、舞臺(tái)動(dòng)作、舞臺(tái)美術(shù),等等諸多方面;審美視點(diǎn)力求多層次、多角度切入,涵括了形式審美、內(nèi)容審美、功能審美、價(jià)值審美、現(xiàn)象審美、本質(zhì)審美等。其論析的終極意旨為:凸顯布依戲?qū)徝捞卣鞯拿褡逍�、地方特�?亦即審美個(gè)性。 第四章“布依戲藝術(shù)審美評(píng)價(jià)”為本論文的總結(jié)部分。在深度把握布依戲?qū)徝纻€(gè)性之基礎(chǔ)上,論述了布依戲與傳統(tǒng)戲曲的審美關(guān)系,以及布依戲的審美品格。同時(shí),對(duì)布依戲藝術(shù)審美的延展空間、路徑提出了個(gè)人見(jiàn)解。
[Abstract]:Since the 1980s , the field investigation method accompanying folklore and cultural anthropology has been widely used in drama research , and the center of gravity of drama research has begun to move from the desk and stage to the field , and the various performances of folk drama of nationality have also been paid attention .

Based on the artistic aesthetics , this thesis makes a multi - layered and multi - angle aesthetic view of the opera , and tries to show the unique aesthetic characteristics , aesthetic needs , aesthetic judgement and aesthetic imagination of this ethnic drama .

The introduction part makes a comment on the current situation of the study of Buyi ' s drama in the academic field , and clarifies the basic connotation of the artistic aesthetics of Buyi opera . At the same time , the author expounds the value , purpose , innovation and concrete research methods of this research .

In the first chapter , " The ecological environment of Buyi play " is discussed in three aspects , such as the nature and ecology of Buyi play , the human ecology , and other local opera related to the play . In other words , it is the basis and condition of the aesthetic appearance of the opera . In other words , it is the basis and condition of the aesthetic appearance of the play . In other words , it is the basis of the decision and the decision . Therefore , the content of this chapter is the root of the paper , which is of great significance .

The second chapter provides an overview of the basic situation of the drama , the musical form , the stage movement and the stage art , and tries to show the complete artistic face of the play , thus providing a theoretical basis for the next chapter to carry out the overall artistic aesthetics of the play .

The third chapter is about the artistic aesthetics of Buyi play , which is the focus of this thesis . The content of this thesis is almost related to all the opera elements in Buyi play , including repertoire , music , opera language , stage action , stage art and so on . The aesthetic viewpoint is multi - layered and multi - angle cut - in . The ultimate aim of the analysis is to highlight the nationality , local characteristics and aesthetic personality of the aesthetic characteristics of the opera .

The fourth chapter is the summary part of this thesis . On the basis of the deep understanding of the aesthetic personality of Buyi opera , the aesthetic relation between the opera and the traditional opera is discussed , and the aesthetic character of the play is discussed . At the same time , the author puts forward personal opinions on the extension space and the path of the artistic aesthetics of Buyi opera .
【學(xué)位授予單位】：貴州民族學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J825

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