本文選題：王紹猷 + 記聞��； 參考：《當(dāng)代戲劇》2015年03期

【摘要】：正去年暑假期間,筆者在吳丹老師指導(dǎo)下,通過查閱書籍、詢問專家,針對高中生對秦腔文化了解程度的問卷調(diào)查,對如何宣傳發(fā)展秦腔提出自己的看法。一、筆者所了解的秦腔藝術(shù)秦腔,是我國歷史上最為悠久的傳統(tǒng)戲劇表演形式之一,因以棗木梆子為擊節(jié)樂器,又叫"梆子腔",又因以梆擊節(jié)時發(fā)出"恍恍"聲,俗稱"桄桄子",亦稱為"亂彈"。并以獨特的地貌風(fēng)格卓立于中華民族文化之林,為廣大人民群眾喜愛。據(jù)王紹猷《秦腔記聞》記載,"秦腔形
[Abstract]:During the summer vacation last year, under the guidance of teacher Wu Dan, through consulting books and asking experts, the author put forward his own views on how to propagate and develop Qin Opera, aiming at the questionnaire of high school students' understanding of Qin Opera culture. First, the Qin Opera is one of the oldest traditional theatrical performances in the history of China. It is also known as the "Bangzi tune" and because of the "twelve" sounds of banging the festival with jujube wood Bangzi as a festival instrument. Commonly known as the "Ghurenzi", also known as "random bombs." And unique geomorphological style outstanding in the forest of Chinese culture, for the masses like. According to Wang Shaoyou, "A Chronicle of the Qin Opera," it is recorded that "the Qin cavity is shaped."
【作者單位】： 西安鐵一中;
【分類號】：J825

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