本文選題：粵劇 + 現(xiàn)代戲劇�。� 參考：《戲劇(中央戲劇學(xué)院學(xué)報(bào))》2014年03期

【摘要】：民國(guó)前期,粵劇發(fā)生了脫胎換骨的變化。城市戲院的大量建造,催生了以城市平民為主要欣賞對(duì)象的大量粵劇新劇目的出現(xiàn),涌現(xiàn)出一批新型編劇,基本上改變了粵劇的劇目體系�；泟〉哪_色體制從十大行變?yōu)?六柱制",呈現(xiàn)出新的表演體系與風(fēng)格�；泟〉囊魳�(包括演唱與伴奏)與舞臺(tái)美術(shù)和戲劇裝扮,同樣有很多新變化。所有這些變化,都有其內(nèi)在的關(guān)聯(lián),它們完全改變了粵劇的藝術(shù)風(fēng)格與形態(tài)。
[Abstract]:In the early period of the Republic of China, Cantonese opera changed completely. The construction of city theatres spawned the emergence of a large number of new Cantonese opera plays, which were mainly appreciated by the urban common people, and a number of new writers emerged, which basically changed the repertoire system of Cantonese opera. The character system of Cantonese opera changed from ten lines to six columns system, showing a new performance system and style. Cantonese opera music (including singing and accompaniment) as well as stage art and theatrical costumes, there are also many new changes. All these changes are intrinsically related, and they completely change the artistic style and form of Cantonese opera.
【作者單位】： 南京大學(xué)文學(xué)院;中國(guó)戲曲學(xué)院;
【分類號(hào)】：J825

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