本文選題：《再別康橋》 + 林徽因　； 參考：《西安音樂學(xué)院》2011年碩士論文

【摘要】：小劇場歌劇《再別康橋》由陳蔚(筆名水兒)編劇,首都師范大學(xué)音樂學(xué)院教授周雪石作曲,是國內(nèi)第一部且是唯一一部公演了的小劇場歌劇�！对賱e康橋》的上演,在繼承傳統(tǒng)和借鑒外國歌劇成功經(jīng)驗方面做出了大膽有益的嘗試,它開創(chuàng)了中國歌劇的一種新形式,同時也成為我國現(xiàn)階段音樂的重要組成部分。 本文以《再別康橋》中女高音林徽因為主要研究對象,通過深入分析劇中人物之間的關(guān)系,把握歌劇表演中人物情感的體驗,力求全面、細致、深入地對這一角色進行挖掘,概括出本劇中林徽因的藝術(shù)形象及藝術(shù)特征。 全文從《再別康橋》中女高音林徽因的藝術(shù)形象、唱段演繹去深入剖析這個人物角色,著重分析她與其他人物之間的關(guān)系。本文一共分為四個章節(jié),第一章節(jié)首先詳細解析了小劇場歌劇《再別康橋》的歷史人文背景及創(chuàng)作概況,然后結(jié)合中國歌劇發(fā)展歷程,對小劇場歌劇這種藝術(shù)形式加以介紹。第二章節(jié)主要從林徽因少女時代和成人時代的歷程來分析她的個性特點,從歌劇《再別康橋》的相關(guān)唱段來分析她與其他人物之間的關(guān)系,以了解她的內(nèi)心情感世界,并結(jié)合戲劇和音樂形象分析,進一步探討該人物的藝術(shù)魅力。第三章節(jié)對女高音各唱段進行逐段分析,深入唱段并從演唱技巧、演唱處理、音樂表現(xiàn)等多方面去揭示歌劇中對該角色的塑造和表現(xiàn)。對唱段中由林徽因創(chuàng)作的詩詞尤其進行深入剖析。第四章節(jié)從美學(xué)角度出發(fā),對該歌劇中林徽因這一角色的藝術(shù)特征等方面進一步揭示,并論述《再別康橋》對當今中國歌劇創(chuàng)作的核心啟示及美學(xué)涵義。
[Abstract]:Written by Chen Wei (under the pseudonym Shuier), Zhou Xueshi, a professor at the School of Music at Capital normal University, is the first and only small theater opera ever performed in China. Farewell to Kangqiao is staged. He made a bold and useful attempt to inherit the tradition and learn from the successful experience of foreign operas, which created a new form of Chinese opera. At the same time, it has also become an important part of Chinese music at the present stage. This paper takes soprano Lin Huiyin as the main research object, through in-depth analysis of the relationship between the characters in the opera, to grasp the emotional experience of the characters in the opera performance. Strive to comprehensively, meticulously, deeply excavate this role, generalize the artistic image and artistic characteristic of Lin Huiyin in this play. The full text from the soprano Lin Huiyin art image in "farewell to Kangqiao", Paraphrase to analyze the character in depth, focusing on the relationship between her and other characters. This paper is divided into four chapters. The first chapter analyzes the historical and humanistic background and creative situation of opera "farewell to Kangqiao" in detail, and then introduces the art form of "opera of small theater" combined with the development of Chinese opera. The second chapter mainly analyzes Lin Huiyin's personality characteristics from her teenage years and adulthood, and analyzes the relationship between her and other characters from the relevant passages of the opera "farewell to Kangqiao" in order to understand her inner and emotional world. And combined with drama and music image analysis, further explore the artistic charm of the character. The third chapter of the soprano each segment of the analysis, in-depth singing and from the singing skills, singing processing, music performance and other aspects to reveal the role in the opera shaping and performance. In particular, the poems written by Lin Huiyin in the singing paragraph are deeply analyzed. The fourth chapter, from the aesthetic point of view, further reveals the artistic characteristics of the role of Lin Huiyin in the opera, and discusses the core enlightenment and aesthetic implication of "farewell to Kangqiao" to present Chinese opera creation.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J822

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 甘益聰;歌劇《再別康橋》選段《一首桃花》的體悟與演唱[D];中國音樂學(xué)院;2012年

2 王婷;歌劇角色喜兒、林徽因、金環(huán)的塑造之對比探析[D];福建師范大學(xué);2013年

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本文編號：2001393