本文選題：音樂創(chuàng)作 + 人物個(gè)性��； 參考：《當(dāng)代戲劇》2016年04期

【摘要】：正秦腔《大秦將軍》這出戲以滅楚之戰(zhàn)為背景,通過秦大將軍王剪與秦王在平息戰(zhàn)亂、統(tǒng)一中國的共同理想下,為出兵用人而展開的一場微妙復(fù)雜的心理交鋒,刻畫了王剪將軍獨(dú)特的性格風(fēng)采,超凡脫俗的精神境界和坦蕩無私的品格情懷。因此,在音樂創(chuàng)作之前,要基本做到"通于謀篇":從劇本主題思想、情節(jié)結(jié)構(gòu)、場次安排、人物關(guān)系、人物個(gè)性等各個(gè)方面予以通盤考慮;在全劇的音樂布局上做到心中有
[Abstract]:On the background of the war of Qing Dynasty general of the Qin Dynasty, the drama of the great Qin Dynasty, based on the war of Chu, is a delicate and complicated psychological confrontation between the emperor of the Qin Dynasty and the king of Qin to quell the war and to unify the common ideal of China, and depicts the unique character of general Wang Jian, the spiritual realm and the unselfishness of unselfishness. Therefore, before the creation of music, we should basically achieve "through the plot": from the theme of the script thought, the plot structure, the field arrangement, the character relationship, the character and other aspects to be taken into consideration in all aspects; in the music layout of the whole drama to do the heart of the mind
【分類號(hào)】：J617.5
，

本文編號(hào)：1995881