本文選題：昆曲文化 + 大眾媒介　； 參考：《蘇州大學(xué)》2010年碩士論文

【摘要】： 在我國的傳統(tǒng)藝術(shù)精粹和世界范圍的中國元素符號中,昆曲占有十分重要的地位。2001年5月18日,聯(lián)合國教科文組織首次發(fā)布“人類口述遺產(chǎn)和非物質(zhì)遺產(chǎn)代表作”,中國昆曲位列榜首。這一新聞的發(fā)布,將沉睡在中國古人心中的雅樂,拉回到現(xiàn)代人乃至全球大眾的視野。 昆曲劇種從誕生之時發(fā)展至今日,經(jīng)歷了六百多年的滄桑歲月。在昆曲文化歷史時期的傳承和傳播中,大眾媒介發(fā)揮了關(guān)鍵性的作用。進(jìn)入社會轉(zhuǎn)型期,媒介生態(tài)環(huán)境的變遷,直接影響和延伸了大眾媒介的傳播形態(tài)和功能。電子媒介形式的出現(xiàn)和網(wǎng)絡(luò)媒介傳播的盛行,給當(dāng)代昆曲文化傳播帶來了質(zhì)的飛躍,實現(xiàn)了以書籍、報刊、廣播、電視、網(wǎng)絡(luò)為主要媒介的多元化融合傳播。 當(dāng)代社會的大眾傳播媒介具有鮮明的時代特征,在昆曲文化傳播的文本形態(tài)中如何體現(xiàn)是值得深入分析的時新課題。視覺文化盛行、文化偶像崇拜和消費意義賦值,使當(dāng)代昆曲文化的傳播更加立體化、多元化和全球化。 然而大眾媒介的劣根性又無時不刻威脅著精英昆曲的藝術(shù)靈韻。在充分發(fā)揮媒介長尾作用的同時,要對媒介機(jī)械復(fù)制、娛樂惡俗和資本媚骨的消極影響保持警醒。其最終目標(biāo)是實現(xiàn)當(dāng)代昆曲文化與大眾傳播媒介的完美聯(lián)姻,即一方面弘揚小眾藝術(shù)的精英傳承,一方面普及昆曲符號的大眾傳播,使中國昆曲這枝奇葩享譽(yù)全世界。
[Abstract]:Kunqu Opera occupies a very important position in the essence of Chinese traditional art and world wide elements. In May 18th.2001, the UNESCO first published the "representative works of human oral and non material heritage", and the Chinese Kunqu ranked the top of the list. The release of this news will sleep in the heart of Chinese people. Back to the vision of the modern and the world.
The culture of Kunqu opera has experienced more than 600 years of vicissitudes from its birth to today. In the inheritance and dissemination of the cultural and historical period of Kunqu Opera, the mass media played a key role. Into the social transition period, the change of the media ecological environment directly influenced and extended the form and function of the mass media. The emergence of the media and the spread of network media have brought a qualitative leap to the cultural communication of contemporary Kunqu Opera, and realized the diversification and integration of books, newspapers, radio, television, and network.
The mass media in contemporary society has distinct characteristics of the times. It is a new topic to be deeply analyzed in the text form of the cultural communication of Kunqu Opera. The prevalence of visual culture, the worship of cultural icon and the value of consumption have made the spread of contemporary Kunqu culture more integrated, diversified and globalized.
However, the inferiority of the mass media threatens the artistic charm of the elite Kunqu Opera at the same time. While giving full play to the long tail of the media, the negative influence of media machinery duplication, entertainment and capitals will be kept vigilant. The ultimate goal is to realize the perfect marriage of contemporary Kunqu culture and mass media, that is, on the one hand The elitist heritage of Yang Xiao Zhong's art, on the one hand, popularized the Kunqu symbol's mass communication, and made Chinese Kunqu Opera a world-famous flower.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J825

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 黎小燕;傳統(tǒng)文化的現(xiàn)代傳承[D];暨南大學(xué);2011年

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本文編號：1994737