本文選題：戲曲 + 虛擬��； 參考：《中州學(xué)刊》2014年11期

【摘要】：戲曲作為"民族文化瑰寶",卻不再光芒四射。題材陳舊、節(jié)奏緩慢、娛樂多元、政治掛帥等只是戲曲衰落的部分原因,其深層原因在于:觀眾審美觀念更趨于貼近生活的真實,與戲曲的寫意性產(chǎn)生了矛盾;重"故事"而輕"歌舞",使戲曲的優(yōu)勢變?yōu)榱觿?工業(yè)化、信息化社會的發(fā)展造成戲曲傳播信息和知識的傳統(tǒng)社會功能日漸衰弱;舞臺藝術(shù)和劇場藝術(shù)的巨大改變使戲曲藝術(shù)面臨困難。振興戲曲的工作應(yīng)主要從這四點出發(fā),緊緊圍繞觀眾需求,有針對性地進(jìn)行。
[Abstract]:As a treasure of national culture, opera is no longer shining. The theme is old, the rhythm is slow, the entertainment is pluralistic, the politics hangs over the head and so on is only part of the drama decline reason, its deep reason lies in: the audience esthetic idea tends to be closer to the life the reality, and the drama freehand brushwork produced the contradiction; The emphasis on "story" rather than "song and dance" makes the advantages and disadvantages of opera become inferior, the development of industrialization and information society results in the weakening of the traditional social function of spreading information and knowledge of drama. The dramatic changes in stage art and theater art have made the art of opera difficult. The work of revitalizing opera should mainly proceed from these four points and focus closely on audience needs.
【作者單位】： 廈門大學(xué)海外教育學(xué)院;
【分類號】：J80

【參考文獻(xiàn)】

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本文編號：1985380