本文選題：多尼采蒂 + 女主角露琪亞�。� 參考：《上海音樂學院》2010年碩士論文

【摘要】： 十九世紀初期,浪漫主義思潮席卷整個歐洲。意大利民族解放運動的現(xiàn)實又直接影響著藝術家們。而此時正歌劇的落寞、古老羅馬神話故事的陳舊過時、人們對當代生活題材日益濃厚的興趣又促使了一個新的流派的誕生,這就是以羅西尼、多尼采蒂和貝里尼為代表的意大利浪漫主義歌劇流派。從此1“美聲學派的新時期”開始了,也即是沒有閹人歌手的第二次“美聲學派的黃金時代”。其中多尼采蒂作為2介于羅西尼與威爾第之間承上啟下的人物,在意大利歌劇史上具有重要的地位,也被人們稱為“意大利美聲學派”的三大巨頭之一 多尼采蒂一生寫了六十五部歌劇。這些作品風格多樣,其中最為著名也最為優(yōu)秀的是《拉美莫爾的露琪亞》,這部作品被看成是“女高音的戰(zhàn)馬”。其唱段的難度之大,表演的要求之高都為世人所公認。 本人將著重分析女主角露琪亞的角色塑造,希望通過這次的研究能更加清楚的了解多尼采蒂的作品風格,更加精準的、理性的把握這部作品,更細致的把握女主角露琪亞的音樂性格,從而更好的指導露琪亞的的演唱與表演。由于其唱段是由花腔女高音演繹的,所以也對花腔女高音的教學有著一定的實際意義。對于這部作品的研究國外是比較具體而全面的,而在國內(nèi)卻比較薄弱。對于女主角的角色分析到現(xiàn)在為止還沒有被發(fā)現(xiàn),所以對這部作品女主角的角色的分析研究將為我國的歌劇研究提供一定的理論意義。 通過本文的介紹,希望大家能夠整體的了解這部作品,細致的理解這部作品,更加喜愛這部作品,也希望能夠給眾多朋友提供一些表演上與教學上的有用的素材,進一步完善與發(fā)展我們對美聲唱法的理解與運用。
[Abstract]:Romanticism swept across Europe in the early nineteenth century. The reality of the Italian national liberation movement directly affected the artists. At this time, the desolation of opera, the antiquated ancient Roman mythology, and the growing interest in the subject matter of contemporary life have led to the birth of a new school, that is, Erosini. Donizetti and Berini represented the Italian Romantic Opera School. From then on, the "new era of the school of beauty" began, that is, the second "golden age of the school of beauty" without eunuchs. Donicetti, as a figure between Rosini and Verdi, plays an important role in the history of Italian opera, and is also known as one of the three giants of the "Italian school of American sound". Donetzetti wrote 65 operas in his life. The most famous and excellent of these works is Lucia of Latin America, which is regarded as a soprano horse. Its singing difficult, performance requirements are recognized by the world. I will focus on the role shaping of the heroine Lucia, hoping that through this study, I can get a clearer understanding of Donizetti's work style and grasp this work more accurately and rationally. A more careful grasp of the heroine Lucia's musical personality, so as to better guide the singing and performance of Lucia. Since the canto is interpreted by the soprano, it has some practical significance in the teaching of the soprano. The study of this work is more specific and comprehensive abroad, but relatively weak in China. So far, the analysis of the role of the heroine has not been discovered, so the analysis of the role of the heroine in this work will provide a certain theoretical significance for the study of opera in China. Through the introduction of this article, I hope you can understand this work as a whole, understand it in detail, love this work even more, and also hope to provide many friends with some useful materials for performing and teaching. Further improve and develop our understanding and application of Bel Canto.
【學位授予單位】：上海音樂學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J832

【參考文獻】

相關碩士學位論文 前4條

1 朝魯;試論多尼采蒂歌劇男高音風格及其對美聲唱法的貢獻[D];內(nèi)蒙古師范大學;2006年

2 吳林鍇;貝里尼與多尼采蒂歌劇中男高音唱段之研究[D];山東師范大學;2007年

3 苑璐;19世紀意大利歌劇演唱特征初探[D];天津音樂學院;2007年

4 黃小賓;美聲唱法中花腔演唱的審美分析[D];廈門大學;2007年

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本文編號：1960799