本文選題：秦腔 + 地域分布�。� 參考：《西北大學(xué)》2017年碩士論文

【摘要】：基于文化地理學(xué)、秦腔文化景觀的研究現(xiàn)狀,結(jié)合地理學(xué)、文化學(xué)、歷史學(xué)等學(xué)科理論與方法,主要采用空間分析、文獻梳理、質(zhì)性研究、訪談?wù){(diào)查等方法對秦腔進行文化景觀地域特征及其感知與認同研究。文章整體研究內(nèi)容是將新舊文化地理學(xué)的研究熱點相結(jié)合,開篇即對秦腔文化景觀要素進行分析,將秦腔劃分為視覺文化要素、聽覺文化要素和意象情感要素三大類,秦腔視覺文化要素包括:秦腔表演、服飾、化妝與臉譜和舞臺布景四個方面;聽覺文化要素包括音樂、劇目兩個方面;意象情感要素則指的是秦腔對于秦人所產(chǎn)生的情感意義,尋找秦人對秦腔的情感依戀與文化認同。在分析文化景觀的基礎(chǔ)上,獲取文化消費者主要的感知對象。文章第三章節(jié)延續(xù)了傳統(tǒng)文化地理學(xué)研究熱點,探討了秦腔文化的發(fā)展過程、戲曲藝術(shù)特色等方面形成的環(huán)境背景,進而闡述秦腔文化景觀與地理環(huán)境之間的關(guān)系;在宏觀尺度上探討了秦腔文化的地域分布、文化擴散、文化區(qū)、文化生態(tài)以及地方劇種間的文化整合等。第四章節(jié)則選取新文化地理學(xué)視角,基于易俗社、陜西省戲曲研究院兩家秦腔演藝團體,從文化微空間角度探索文化消費者對秦腔實體空間、文化空間與空間主體的感知與認同,從而構(gòu)建秦腔生產(chǎn)者、經(jīng)營者、消費者之間形成的文化共同體。
[Abstract]:Based on the present situation of cultural geography and cultural landscape of Qin cavity, combined with the theories and methods of geography, culturology, history and so on, it mainly adopts spatial analysis, literature combing, qualitative research, etc. The cultural landscape regional characteristics, perception and identity of Qin Opera were studied by interview investigation and other methods. The whole research content of this paper is to combine the research focus of the new and old cultural geography, the first part is to analyze the cultural landscape elements of Qin cavity, and the Qin cavity is divided into three categories: visual cultural elements, auditory cultural elements and imagery emotional elements. The visual and cultural elements of Qin Opera include: Qin Opera performance, costumes, makeup and facial makeup and stage setting; auditory cultural elements include music and plays; image emotional elements refer to the emotional significance of Qin Opera for Qin people. Looking for Qin people's emotional attachment and cultural identity to Qin Opera. Based on the analysis of cultural landscape, the main perception objects of cultural consumers are obtained. The third chapter of the article has continued the traditional cultural geography research hot spot, has discussed the Qin cavity culture development process, the opera art characteristic and so on aspect formation environment background, then elaborated the Qin cavity cultural landscape and the geographical environment relations; On the macro scale, this paper probes into the regional distribution, cultural diffusion, cultural zone, cultural ecology and cultural integration among local operas. The fourth chapter selects the new cultural geography angle of view, based on the change custom society, Shaanxi opera academy two Qin Opera performing arts group, from the cultural micro-space angle to explore the cultural consumer to Qin cavity entity space, The perception and identification of cultural space and the subject of space, thus constructing the cultural community formed between producers, operators and consumers of Qin cavity.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J825
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本文編號：1925250