發(fā)布時(shí)間：2018-05-21 00:46

  本文選題：京劇表演 + 對(duì)象化思維　； 參考：《戲劇藝術(shù)》2016年04期

【摘要】：中國(guó)傳統(tǒng)戲曲藝術(shù)百年來(lái)強(qiáng)烈地受到西方話劇思維觀念的深刻影響,以致至今早已成為學(xué)界和演藝界習(xí)焉不察的思維慣性。這里應(yīng)當(dāng)加以辯難的問(wèn)題是:是對(duì)象化思維,還是非對(duì)象化思維;是個(gè)性化思維還是類型化思維;是訴之于"真"的體驗(yàn),還是訴之于"美"的生知;是以歌舞演故事,還是以故事梗概為媒介顯現(xiàn)歌舞;是"是"(什么),還是"怎是"。
[Abstract]:The Chinese traditional opera art has been strongly influenced by the western modern drama thinking concept in the past hundred years, so it has already become the thinking inertia of the academic circles and the performing arts circles. The questions that should be debated here are: objectified thinking or non-objectified thinking; individualized or typed thinking; the experience of telling "truth"; or the knowledge of "beauty"; and the story of singing and dancing. Or is it "what is it," or "how"?
【作者單位】： 武漢大學(xué)哲學(xué)學(xué)院;
【分類號(hào)】：J821
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本文編號(hào)：1917005