本文選題：豫劇現(xiàn)代戲 + 藝術(shù)特色�。� 參考：《哈爾濱師范大學(xué)》2015年碩士論文

【摘要】：豫劇作為河南特色地方劇種,具有其獨(dú)特的藝術(shù)表現(xiàn)力,在我國(guó)戲曲大舞臺(tái)上占據(jù)重要地位。隨著社會(huì)文明的進(jìn)步,人們生活水平的不斷提高,傳統(tǒng)豫劇的表現(xiàn)形式已經(jīng)無(wú)法滿(mǎn)足大眾對(duì)審美情趣的追求,在這種情況下一種新的豫劇表現(xiàn)形式應(yīng)運(yùn)而生,在傳統(tǒng)豫劇的基礎(chǔ)上豫劇現(xiàn)代戲應(yīng)運(yùn)而生。豫劇現(xiàn)代戲是以豫劇的形式來(lái)表現(xiàn)現(xiàn)代人的生活、演繹現(xiàn)代人故事的豫劇新樣式。在現(xiàn)代戲的創(chuàng)作中,劇作家本著貼近生活、貼近實(shí)際、貼近群眾的原則,常常以時(shí)代為依托、以當(dāng)下社會(huì)熱點(diǎn)問(wèn)題為背景,結(jié)合相應(yīng)的地域文化特色等特點(diǎn)作為豫劇現(xiàn)代戲劇目創(chuàng)作的源泉。在繼承豫劇傳統(tǒng)技巧的基礎(chǔ)上,學(xué)習(xí)和借鑒其他藝術(shù)的某些表現(xiàn)手法如話劇、歌劇,并進(jìn)行多方面、多角度的創(chuàng)新與嘗試,逐漸形成了豫劇現(xiàn)代戲自己的藝術(shù)風(fēng)格。本文以豫劇現(xiàn)代戲《王屋山的女人》這部作品為研究對(duì)象,分別從豫劇現(xiàn)代戲、藝術(shù)特色、文化內(nèi)涵以及對(duì)當(dāng)代豫劇現(xiàn)代戲的思考這四個(gè)角度對(duì)這部戲展開(kāi)較為全面的論述。第一,通過(guò)檢索豫劇現(xiàn)代戲的相關(guān)文獻(xiàn),對(duì)其進(jìn)行歸納總結(jié),簡(jiǎn)單的梳理了豫劇現(xiàn)代戲的概念、歷史脈絡(luò)、發(fā)展現(xiàn)狀;并對(duì)這部作品的創(chuàng)作背景和劇情簡(jiǎn)介進(jìn)行了概述。第二,論述這部戲的藝術(shù)特色是本文的重點(diǎn)之一。從作品的音樂(lè)特色、舞臺(tái)表演、舞臺(tái)美術(shù)三方面分別展開(kāi),對(duì)該部戲的人物唱腔、配器、演唱形式、表演風(fēng)格、程式、服裝、化妝、燈光等特色做了比較全面的論述,試圖展示當(dāng)前豫劇現(xiàn)代戲的創(chuàng)作風(fēng)貌。第三,論述這部戲深藏的文化內(nèi)涵是本文的另一重點(diǎn)。分別從傳統(tǒng)道德觀、地域文化、藝術(shù)審美價(jià)值三個(gè)層面分析。第四,從當(dāng)下豫劇藝術(shù)發(fā)展中存在的問(wèn)題和解決的措施兩方面展開(kāi),論述《王屋山的女人》對(duì)未來(lái)豫劇現(xiàn)代戲藝術(shù)發(fā)展所帶來(lái)的一些反思。通過(guò)對(duì)這部戲多角度、多層面的分析研究,了解當(dāng)下豫劇現(xiàn)代戲發(fā)展的狀況,分析豫劇現(xiàn)代戲的發(fā)展趨勢(shì),在內(nèi)容與形式上對(duì)今后豫劇現(xiàn)代戲創(chuàng)作提供可參考意見(jiàn),為促進(jìn)豫劇現(xiàn)代戲的發(fā)展盡一些綿薄之力,同時(shí)還具有深刻地教育意義。
[Abstract]:Henan opera, as a kind of local drama with Henan characteristics, has its unique artistic expression and occupies an important position on the grand stage of Chinese opera. With the progress of social civilization and the continuous improvement of people's living standard, the expression form of traditional Henan opera has been unable to satisfy the popular pursuit of aesthetic interest. In this case, a new form of expression of Henan opera has emerged as the times require. On the basis of traditional Henan opera, modern opera emerged as the times require. The modern opera of Henan opera is a new style of Henan opera which expresses the life of modern people and deduces the stories of modern people in the form of Henan opera. In the creation of modern drama, playwrights are guided by the principle of being close to life, reality and the masses, often relying on the times and taking the hot social issues as the background. Combined with the corresponding characteristics of regional culture, it is the source of modern opera repertoire creation in Henan opera. On the basis of inheriting the traditional skills of Henan opera, learning and drawing lessons from other art techniques, such as drama, opera, and carrying on many aspects, many angles of innovation and attempt, gradually formed the modern opera of his own artistic style. This article takes the modern opera "woman of Wangwushan" as the object of study, respectively from the four angles of modern opera, artistic characteristics, cultural connotation and thinking of modern opera of Henan opera, the author makes a more comprehensive exposition of this play from the four angles of modern opera of Henan opera, artistic characteristics, cultural connotation and thinking of modern opera of contemporary Henan opera. First, through the retrieval of the relevant documents of modern Henan opera, summed up its simple combing of the concept of modern opera, historical context, the development of the current situation, and the creation of this work background and synopsis of the plot were summarized. Second, to discuss the artistic characteristics of this play is one of the key points of this article. From the three aspects of music, stage performance and stage art of the work, the author has made a relatively comprehensive discussion on the characters singing, orchestration, singing form, performance style, formula, clothing, makeup, lighting, etc. This paper tries to show the creative style of modern opera in Henan opera. Third, it is another important point of this article to discuss the cultural connotation of this play. Respectively from the traditional moral concept, regional culture, artistic aesthetic value analysis of three levels. Fourth, from the present Henan opera art development in the existing problems and solutions to the two aspects, discusses the "Wangwushan woman" of the future of the modern opera art development brought some reflection. Through the multi-angle and multi-level analysis and study of this play, we can understand the current situation of the development of modern opera of Henan opera, analyze the development trend of modern drama of Henan opera, and provide some references for the creation of modern opera of Henan opera in the future in content and form. In order to promote the development of modern Henan opera play to do some modest, but also profound educational significance.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J825

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