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碑刻中戲曲史料的新發(fā)現(xiàn)——一塊記錄禁演彩調(diào)碑刻的多重意義

發(fā)布時間:2018-05-18 03:12

  本文選題:廣西碑刻 + 彩調(diào)。 參考:《民族藝術(shù)》2014年05期


【摘要】:廣西具有豐富多彩碑刻,一塊立于清代光緒十五年(1889)的桂林八街《公議禁約》碑刻填補了彩調(diào)研究史料的不足。這一新發(fā)現(xiàn)具有三個方面的重要意義:一是印證了早期彩調(diào)劇大多以表現(xiàn)男歡女愛情節(jié)為內(nèi)容的研究結(jié)論;二是反映了最晚在清代光緒十五年,彩調(diào)劇已經(jīng)進城(廣西省城,現(xiàn)在的桂林市)并四處傳唱;三是記載了彩調(diào)劇并不是在民國,而是在清代已遭到過禁唱的事實。
[Abstract]:Guangxi has rich and colorful inscriptions, a piece of Guilin eighth Street (Public Convention of Prohibition), which was established in the Qing Dynasty Guang Xu 15 years (1889), fills up the deficiency of the historical materials of color research. This new discovery has three important meanings: first, it confirms the research conclusion that most of the early color drama shows the love of men and women; second, it reflects that at the latest fifteen years of Guang Xu in the Qing Dynasty, the color drama has already entered the city (Guangxi provincial capital, Guangxi Province, China). Guilin City today) and singing around; third, recorded the color drama is not in the Republic of China, but in the Qing Dynasty has been banned.
【作者單位】: 廣西師范大學(xué)文學(xué)院;
【分類號】:J809.2

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1 黃偉;;近代上;泟》睒s的原因[J];四川戲劇;2009年03期



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