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山東柳子戲音樂文化研究

發(fā)布時(shí)間:2018-05-17 21:56

  本文選題:柳子戲 + 多樣性; 參考:《福建師范大學(xué)》2009年博士論文


【摘要】:柳子戲中蘊(yùn)涵著山東的音樂文化、地理文化、方言文化、運(yùn)河文化、《金瓶梅》文化等,柳子戲的發(fā)展過程是其與多種文化之間的互動(dòng)過程。 以山東方言演唱的柳子戲分布在運(yùn)河流域的魯東南、魯西、魯西南等地區(qū),其分布區(qū)域呈現(xiàn)出多樣性的生態(tài),這種多樣性表現(xiàn)在音樂風(fēng)格色彩的多樣性、傳承的多樣性、曲牌包含量的多樣性、劇目演唱不同的多樣性,依此試圖求證柳子戲分布區(qū)域之魯東南的原始型、魯西的中間型、魯西南的發(fā)展型的生成態(tài)勢(shì)。 柳子戲音樂的曲牌唱腔是多層次構(gòu)成的,從曲牌的音樂形態(tài)特點(diǎn)論證魯東南地區(qū)的柳子戲唱腔有著最為里層的音樂遺存,魯西既有魯東南的特點(diǎn)又有向魯西南靠近的中層遺存,魯西南唱腔與其他兩地相比最為豐富,屬“集思廣益”型的外層呈現(xiàn)。 柳子戲與山東民歌、曲藝、器樂、戲曲等本土的藝術(shù)形式有著千絲萬縷的聯(lián)系,由民歌小調(diào)發(fā)展而來的柳子戲與小曲、俚曲等民歌息息相關(guān);柳子戲派生出多種山東曲藝音樂,如“鶯歌柳書”、“山東琴書”等;柳子戲與山東戲曲中的弦索系統(tǒng)聯(lián)系最為緊密,其次是肘鼓子系統(tǒng),與梆子系統(tǒng)聯(lián)系最少。 運(yùn)河文化哺育了柳子戲,柳子戲豐富了運(yùn)河文化,兩者是一個(gè)不能分開的整體。沿運(yùn)河流動(dòng)的戲班、移民是柳子戲曲牌流動(dòng)的主要載體,運(yùn)河是柳子戲吸納客腔曲牌的交流平臺(tái)。不同的運(yùn)河區(qū)域在劇本上、唱腔上存在著文風(fēng)昌郁、崇武尚義的柳子戲特點(diǎn)。明清市井小說《金瓶梅》的故事發(fā)生在運(yùn)河河畔,書中人物所演唱的曲牌與柳子戲曲牌關(guān)系緊密,兩者是在同樣的時(shí)間、同樣的文化區(qū)域內(nèi),使用相同的伴奏樂器,唱同名的俗曲與戲曲,所以《金瓶梅》記錄了柳子戲曲牌發(fā)展之蹤跡,柳子戲活化了明代《金瓶梅》書中所寫之妙曲。
[Abstract]:Liuzi Opera contains Shandong's music culture, geographical culture, dialect culture, canal culture, Jin Ping Mei culture and so on. The development process of Liu Zi Opera is the interactive process between Liu Zi Opera and various cultures. The liuzi opera, sung in Shandong dialect, is distributed in the southeast of Shandong and southwest of Shandong in the canal basin. Its distribution shows a variety of ecology, which is manifested in the diversity of music style and color, the diversity of inheritance, etc. Based on the diversity of qu bag content and the variety of repertoire singing, this paper attempts to verify the original type of Liuzi opera distribution area, the middle type of Luxi, and the developing trend of development type of southwest Shandong. The music of Liu Zi Opera is composed of multiple levels. From the characteristics of the music form of qu cards, it is proved that the liuzi opera in southeast Shandong has the most inner layer of music remains, and the west of Luxi has both the characteristics of the southeast of Lu and the middle layer which is close to the southwest of Shandong. Compared with other places, southwest Shandong singing is the most abundant, belonging to the "brainstorming" of the outer layer. Liu Zi Opera is inextricably linked to local art forms such as Shandong folk songs, quyi, instrumental music, opera and so on. Liu Zi Opera, developed from folk songs in minor, is closely related to folk songs, such as folk songs, slang songs, and other folk songs. Liu Zi Opera has derived many kinds of Shandong quyi music. Such as "Yingge Liu Shu", "Shandong Qin Book" and so on, Liuzi opera and Shandong opera in the string system is most closely linked, followed by elbow drum subsystem, and Bangzi system is the least. The canal culture nurtured the Liu Zi Opera, which enriched the canal culture. The opera troupe flowing along the canal, immigration is the main carrier of Liu Zi Opera qu flow, the canal is the communication platform for Liu Zi Opera to absorb the guest tune card. In the different canal area, there are the features of Liu Zi Opera in singing style and Chongwu Shangyi. The story of Jin Ping Mei, a street novel in the Ming and Qing dynasties, takes place on the banks of the Canal River. The songs performed by the characters in the book are closely related to the songs of the Liuzi Opera. Both of them use the same accompaniment instruments at the same time and in the same cultural area. Singing folk songs and operas of the same name, Jin Ping Mei records the development of Liu Zi Opera, and Liu Zi Opera activates the wonderful songs written in Jin Ping Mei Book of Ming Dynasty.
【學(xué)位授予單位】:福建師范大學(xué)
【學(xué)位級(jí)別】:博士
【學(xué)位授予年份】:2009
【分類號(hào)】:J825

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 何麗麗;;《金瓶梅》與柳子戲關(guān)系考[J];黃鐘(中國.武漢音樂學(xué)院學(xué)報(bào));2011年02期

2 何麗麗;;山東柳子戲的區(qū)域性文化特點(diǎn)[J];藝術(shù)百家;2011年03期

相關(guān)博士學(xué)位論文 前1條

1 李硯;擴(kuò)散、整合與儲(chǔ)存[D];上海音樂學(xué)院;2013年

相關(guān)碩士學(xué)位論文 前2條

1 張芳芳;“申遺”對(duì)馬堤吹腔的影響[D];上海師范大學(xué);2011年

2 開萬賀;李巧蓮琴書藝術(shù)研究[D];河南大學(xué);2012年

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本文編號(hào):1903015

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