本文選題：《愛的甘淳》 + 演唱處理　； 參考：《云南藝術(shù)學(xué)院》2017年碩士論文

【摘要】：《愛的甘淳》是由多尼采蒂創(chuàng)作的意大利喜歌劇,自從它被創(chuàng)作之后,基本上所有的世界著名男高音都演唱過這首作品。在國(guó)外的學(xué)術(shù)領(lǐng)域,對(duì)多尼采蒂的喜歌劇創(chuàng)作已經(jīng)有了較為系統(tǒng)和全面的研究。伴隨著西方音樂的傳播和發(fā)展,歌劇也在上個(gè)世紀(jì)進(jìn)入了中國(guó)藝術(shù)的視界中來,在中國(guó)的歌劇領(lǐng)域,也逐漸開始有豐碩的研究成果。不過就目前筆者檢索的結(jié)果來看,對(duì)《愛的甘淳》的研究偏少,大多數(shù)的學(xué)術(shù)研究將重心集中在多尼采蒂或者浪漫主義歌劇風(fēng)格上,尤其是針對(duì)《愛的甘淳》中具體詠嘆調(diào)《偷灑一滴淚》和《多么可愛,多么美麗》中展開細(xì)致分析和研究的更是鳳毛麟角,即使是有所涉獵,也是比較剪短的評(píng)論,并沒有展開較為詳盡的論述。本文以喜歌劇《愛的甘淳》中《偷灑一滴淚》和《多么可愛,多么美麗》為研究對(duì)象,對(duì)其中的作品做了音樂形態(tài)上的大致分析,同時(shí)結(jié)合了筆者的演唱經(jīng)驗(yàn)和大師們的演唱版本,對(duì)演唱的情感表現(xiàn)方便作了較為細(xì)致的闡述。其中文章的緒論部分,包括主要包括選題原因、研究對(duì)象、研究方法和創(chuàng)新點(diǎn)四個(gè)方面內(nèi)容。第一章《多么可愛,多么美麗》與《偷撒一滴淚》音樂本體分析,先介紹《偷灑一滴淚》這個(gè)詠嘆調(diào)在劇中的演唱背景,而后對(duì)作品本體包括旋律旋法、調(diào)式調(diào)性、曲式結(jié)構(gòu)、伴奏織體等方面做詳細(xì)的分析。第二章《多么可愛,多么美麗》與《偷撒一滴淚》的演唱感情處理。第三章《多么可愛,多么美麗》與《偷撒一滴淚》經(jīng)典演唱版本分析,就國(guó)外經(jīng)典版本演唱者的背景簡(jiǎn)介、詮釋意義等方面做介紹。
[Abstract]:Gan Chun of Love is an Italian opera by Donizetti. Since its creation, almost all the world famous tenors have sung it. In the foreign academic field, Donizetti's opera creation has been more systematic and comprehensive research. With the spread and development of western music, opera has entered the horizon of Chinese art in the last century. However, as far as the results of the author's search are concerned, there are few studies on "Gan Chun of Love". Most of the academic research has focused on the style of Donizetti or Romantic operas. In particular, according to the specific aria of "Love's Gan Chun" and "how lovely and beautiful" and "how lovely" and "how lovely, how beautiful" detailed analysis and research are carried out, even if there is something to dabble in, it is also a relatively short comment. There is no more detailed discussion. In this paper, the author makes a general analysis of the music form of the works in the happy opera Gan Chun of Love, "stealing a tear" and "how lovely, how beautiful" as the research object. At the same time, combined with the author's singing experience and the master's singing version, the emotional performance of singing is described in detail. The introduction of the article includes four aspects: the reason of selecting the topic, the research object, the research method and the innovation. The first chapter, "how lovely, how beautiful" and "stealing a tear" music Noumenon analysis, first introduced the arias singing background in the play, and then to the work Noumenon including melodic rotation, tonal, musical structure, The accompaniment texture and other aspects of the detailed analysis. Chapter two, "how lovely, how beautiful" and "steal a tear" of the singing feelings. The third chapter, "how lovely, how beautiful" and "stealing a tear" classic singing version analysis, the introduction of the foreign classical version of the singer's background, interpretation of the significance and other aspects of the introduction.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J617.2

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相關(guān)期刊論文 前2條

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本文編號(hào)：1901610