本文選題：東路二人臺(tái) + 演唱理論　； 參考：《內(nèi)蒙古大學(xué)》2012年碩士論文

【摘要】：東路二人臺(tái)是近百年來(lái)流傳在內(nèi)蒙古烏蘭察布盟、晉北、冀北區(qū)域的地方小戲。它是草原文化和移民文化交流的產(chǎn)物,在當(dāng)?shù)厝嗣袢罕?百姓)的社會(huì)生活中占有很重要的地位。 東路二人臺(tái)是集文學(xué)、音樂、舞蹈等藝術(shù)門類于一體的戲曲藝術(shù)。新中國(guó)成立前,許多班社都以演大戲以為主,有時(shí)還演連本戲,小戲只作為加演戲或墊場(chǎng)戲出現(xiàn)。東路二人臺(tái)在音樂上已經(jīng)為適應(yīng)戲曲的需要,文場(chǎng)主奏樂器為板胡、笛子、笙,武場(chǎng)創(chuàng)造了一套屬于自己的鑼鼓經(jīng)。通過演員念、唱、做、舞等表演形式,以其獨(dú)具程式的戲曲表現(xiàn),使布置簡(jiǎn)約、甚至是空蕩蕩的舞臺(tái)不斷疊現(xiàn)出象外之象、景外之景,產(chǎn)生虛實(shí)互動(dòng)、妙趣橫生的佳境,恰如其分的表現(xiàn)出中國(guó)戲曲藝術(shù)之美。 筆者對(duì)商都縣東路二人臺(tái)演唱藝術(shù)進(jìn)行實(shí)地考察,從時(shí)間、地點(diǎn)、社會(huì)、文化等方面展開了過去與現(xiàn)在、原型與發(fā)展等多層面的探究。從東路二人臺(tái)演唱藝術(shù)的演唱技巧、方言、老藝人、民間戲班做進(jìn)一步挖掘整理。與此同時(shí),筆者還用民族音樂學(xué)田野調(diào)查的理論與實(shí)踐當(dāng),把東路二人臺(tái)這一地方藝術(shù)作為一種文化現(xiàn)象放置于更廣闊的生態(tài)環(huán)境和社會(huì)背景當(dāng)中,與當(dāng)?shù)氐赜蛭幕纬赏瑯?gòu),給予全方位、多角度的關(guān)照。以歷史、實(shí)踐、民俗與理論相結(jié)合的方法,探討研究商都縣東路二人臺(tái)藝術(shù)。
[Abstract]:East Road two-man stage is a local drama spread in Inner Mongolia Wulanchabu League, northern Shanxi, northern Hebei region in the past hundred years. It is the result of the exchange of grassland culture and immigrant culture, and plays an important role in the social life of the local people. East Road two-person stage is a collection of literature, music, dance and other art categories in one of the opera art. Before the founding of the people's Republic of China, many banquets performed mainly in big dramas and sometimes in Lianben operas. In order to adapt to the needs of traditional Chinese opera in music, the two men of Donglu have created a set of their own gongs and drums for Banhu, flute, Sheng and Wuchang. Through performing forms such as chanting, singing, doing and dancing of actors and actresses, with their unique forms of opera performance, the arrangement is simple, and even the stage of emptiness is constantly reproducing the images of the outside, the scenery outside the scene, and the good scene of the interaction between reality and vanity, which is full of fun and interest. The beauty of Chinese opera art is appropriately displayed. The author makes a field investigation on the singing art of two people in Shangdu County, and explores the past and present, prototype and development from the aspects of time, place, society, culture and so on. From the East Road two singing art singing skills, dialects, old artists, folk troupes to do further excavation and collation. At the same time, using the theory and practice of field investigation of ethnomusicology, the author puts the local art of the two people in Donglu as a kind of cultural phenomenon in a broader ecological environment and social background, and forms the same structure as the local regional culture. Give all-round, multi-angle care. By the method of combining history, practice, folklore and theory, this paper probes into the art of Erren Tai on Donglu Road, Shangdu County.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J825

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本文編號(hào)：1873802