本文選題：地方戲 + 運(yùn)城市　； 參考：《山西師范大學(xué)》2009年碩士論文

【摘要】： 運(yùn)城是蒲劇最重要的發(fā)源地, 1970年運(yùn)城和臨汾行政區(qū)劃分開(kāi)后,在新中國(guó)戲曲改革的大背景之下,運(yùn)城當(dāng)代蒲劇的發(fā)展伴隨著改革創(chuàng)新、精華糟粕、繼承發(fā)展等等歷史和理論問(wèn)題,體現(xiàn)出比較鮮明的區(qū)域性和獨(dú)特性。目前,運(yùn)城市當(dāng)代蒲劇發(fā)展研究雖然取得了一定的成績(jī),但是學(xué)術(shù)研究和實(shí)踐演出發(fā)展不同步,對(duì)運(yùn)城市當(dāng)代蒲劇發(fā)展的整體調(diào)查和宏觀研究還沒(méi)有展開(kāi),全球化現(xiàn)狀和當(dāng)代史背景下的運(yùn)城當(dāng)代蒲劇發(fā)展的區(qū)域性特征有待于作進(jìn)一步研究。本論文主要采用文獻(xiàn)研究、實(shí)地考察、調(diào)查走訪(fǎng)等研究方法,通過(guò)廣泛收集蒲劇資料和深入分析比較,同時(shí)參考?xì)v史文獻(xiàn)和其他相關(guān)學(xué)科的研究成果,借鑒科學(xué)的理論研究方法,將運(yùn)城市1970年至2008年的當(dāng)代蒲劇發(fā)展作為一個(gè)調(diào)查段落,認(rèn)真梳理其間蒲劇在劇團(tuán)、劇目、演員、演出、交流、研究等方面的曲折歷程和發(fā)展經(jīng)驗(yàn),并試圖把他納入蒲劇發(fā)展甚至整個(gè)戲曲發(fā)展的歷史進(jìn)行觀照,以求探索運(yùn)城當(dāng)代蒲劇作為藝術(shù)本體發(fā)展的內(nèi)在規(guī)律和外部條件,以及在新的歷史時(shí)期的價(jià)值和地位,探詢(xún)其在社會(huì)政治、經(jīng)濟(jì)、文化生活中充當(dāng)?shù)慕巧推溲葑兊臍v史軌跡,挖掘蒲劇在其發(fā)源地運(yùn)城這一特定區(qū)域發(fā)展演變的深層文化內(nèi)涵,對(duì)運(yùn)城市蒲劇傳承和發(fā)展提供一些有益的思路和作法。
[Abstract]:Yuncheng is the most important birthplace of Puju opera. After the separation of Yuncheng and Linfen administrative divisions in 1970, under the background of traditional Chinese opera reform, the development of Yuncheng contemporary opera was accompanied by innovation, essence and dregs. Inheritance and development and other historical and theoretical issues, reflect a relatively distinct regional and unique. At present, although Yuncheng's research on the development of contemporary Puju has made some achievements, academic research and practical performances have not developed synchronously, and the overall investigation and macroscopic research on the development of Yuncheng's contemporary Puju have not been carried out. The present situation of globalization and the regional characteristics of Yuncheng's contemporary Puju under the background of contemporary history need to be further studied. This paper mainly adopts the research methods of literature research, field investigation, investigation and interview, and through extensive collection of data and in-depth analysis and comparison of Po drama, at the same time referring to historical literature and other related disciplines research results. Referring to the scientific theoretical research methods, this paper regards the development of contemporary Puju in Yuncheng from 1970 to 2008 as a paragraph of investigation, and carefully combs the tortuous course and development experience of Puju in the theatrical troupe, repertoire, actor, performance, communication, research and so on. And try to bring him into the history of the development of Puju, even the whole opera development, in order to explore the inner law and external conditions of the development of Yuncheng contemporary Puju, as well as the value and status in the new historical period. Probing into its role in social politics, economy and cultural life and the historical track of its evolution, excavating the deep cultural connotation of the development and evolution of Puju in its birthplace, Yuncheng, a specific region. To Yuncheng Puju inheritance and development to provide some useful ideas and practices.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J825

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本文編號(hào)：1852660