本文選題：滑稽三大家 + 傳統(tǒng)戲曲��； 參考：《中國戲劇》2015年02期

【摘要】：正上海戲劇舞臺上諸多劇種中,土生土長的上海戲劇,只有滬劇和滑稽戲。這兩個劇種都擅長表現(xiàn)現(xiàn)代生活,善于從社會新聞中捕捉題材,進行改編,以適應市民觀眾的需要,從而區(qū)別于昆劇、京劇、越劇、漢劇等以古裝戲為主的傳統(tǒng)戲曲。甚至有人認為,唯有滬劇和滑稽戲是中國的"市民戲劇"。但是,如果嚴格地考查,滬劇還不能說是純粹的市民戲劇,在它的早期,即"灘簧時期",它乃是流行于農(nóng)村的
[Abstract]:Among the many kinds of plays on the Shanghai stage, only Shanghai dramas and farces are born and bred in Shanghai. These two kinds of plays are good at expressing modern life, capturing themes from social news, adapting to the needs of the public audience, and differentiating them from the traditional operas, such as Kunqu Opera, Peking Opera, Vietnamese Opera, Han Opera and so on. Even some people think that only Shanghai drama and farce is China's "citizen drama." However, if strictly examined, Shanghai Opera cannot be said to be a purely civic drama, which was popular in the countryside in its early days, the "Beach Spring" period.
【分類號】：J825
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本文編號：1840411