本文選題：戲劇 + 表演�。� 參考：《吉林藝術(shù)學院》2012年碩士論文

【摘要】：本文正是了解了戲劇表演的當今現(xiàn)狀，，分析邁向角色的不同捷徑。著力強調(diào)“感覺”、“感受”、“感悟”的重要性。通過理解力、想象力、觀察力、感受力、表現(xiàn)力，這正是演員塑造角色的根本條件，正所謂“有感而發(fā)”。表演作為戲劇的重要元素，其所強調(diào)的人物形象創(chuàng)造之于戲劇的重要性，體現(xiàn)了對戲劇本身認識的趨近。演員作為戲劇的直接載體，本身的臺詞、形體，通過行動闡述故事，較之劇本以語言為載體間接地以代言體敘述故事，更加自然且原生態(tài)。如亞里士多德所說，動作是支配戲劇的法律。 結(jié)合本身作為表演教師的實際條件，理解并分析演員（學生）在表演創(chuàng)作中常見的問題，理論和實踐相結(jié)合，真正有能力的引導演員（學生）更近、更深一步的邁向角色。
[Abstract]:This article is to understand the present situation of theatrical performance and analyze the different shortcuts to the role. The importance of "feeling", "feeling" and "feeling" is emphasized. Through understanding, imagination, observation, sensibility, expressiveness, this is the fundamental condition for actors to shape their characters, which is to "want to express their views." As an important element of drama, performance emphasizes the importance of character creation to drama, which reflects the approaching of the understanding of drama itself. Actors, as the direct carrier of drama, their own lines, form, through action to explain the story, compared with the script with language as the carrier indirectly in the narrative of the story, more natural and original. As Aristotle said, action is the law that governs drama. Combining with the actual conditions of acting teachers, we understand and analyze the common problems of actors (students) in acting creation, combine theory with practice, and guide the actors (students) more closely and step further into the role.
【學位授予單位】：吉林藝術(shù)學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J812

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相關(guān)碩士學位論文 前1條

1 鄭昆;感覺、感受、感悟—演員塑造角色的捷徑[D];吉林藝術(shù)學院;2012年

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