本文選題：貝利尼 + 歌劇��； 參考：《南京藝術(shù)學(xué)院》2010年碩士論文

【摘要】： 貝利尼是十九世紀上半葉意大利著名的歌劇作曲家,他善于以女性為主角,以她們的愛情和命運為主線進行歌劇創(chuàng)作。本文以他的三部代表作《諾爾瑪》、《夢游女》和《清教徒》中的三個女主人公諾爾瑪、阿米娜和埃爾維拉為研究對象,從戲劇形象入手,探討作曲家塑造她們音樂形象的藝術(shù)手段及風格特征,以期使歌唱者對貝利尼的歌劇有更為深入的認識與了解,更好地詮釋貝利尼的歌劇作品。 本文共分四章:第一章主要對貝利尼及其三部歌劇的創(chuàng)作以簡要介紹。第二章主要從三劇女主角的戲劇形象入手對其人物性格等進行分析。第三章是本文的重點,從三劇女主人公的音樂形象入手,分析貝利尼塑造女主角的技術(shù)手段與風格特征。第四章將以三位女主人公的三首具有代表性的詠嘆調(diào)為例,談?wù)勗谘莩械囊稽c體會。
[Abstract]:Bellini is a famous Italian opera composer in the first half of the nineteenth century. He is good at making operas with women as the protagonists and their love and destiny as the main line. In this paper, three heroines, Norma, Aminay and Elvira, in his three masterpieces, Norma, sleepwalker and Puritan, are studied, starting with the dramatic images. This paper probes into the artistic means and style characteristics of composers in shaping their musical images in order to make the singers have a deeper understanding and understanding of Bellini's operas and better interpret Bellini's opera works. This paper is divided into four chapters: the first chapter mainly introduces Bellini and his three operas. The second chapter mainly analyzes the characters of the three-drama heroines. The third chapter is the focus of this paper, starting with the musical image of the heroine of the three plays, analyzes the technical means and style characteristics of Bellini's portrayal of the heroine. The fourth chapter will take the three heroines' three representative arias as an example to talk about some experience in singing.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J832

【引證文獻】

相關(guān)碩士學(xué)位論文 前3條

1 余多;宗教陰影下的悲情演繹[D];上海音樂學(xué)院;2011年

2 王琳琳;貝利尼女高音詠嘆調(diào)《耳邊響起他的聲音》的分析與演唱[D];青島大學(xué);2011年

3 施繼圣;貝里尼《清教徒》女主人公艾爾薇拉的形象塑造分析及聲樂演繹探究[D];天津音樂學(xué)院;2012年

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本文編號：1807889