本文選題：煙臺(tái)當(dāng)代京劇 + 口述史��； 參考：《中國(guó)藝術(shù)研究院》2014年碩士論文

【摘要】：煙臺(tái)獨(dú)特的地域性文化造就了深厚的京劇傳統(tǒng),二十世紀(jì)五、六十年代以來(lái),在國(guó)家“戲改”政策背景下,煙臺(tái)當(dāng)代京劇的生存狀況發(fā)生改變。但是,煙臺(tái)京劇深厚的文化底蘊(yùn)首先使之在京劇傳統(tǒng)戲的演出中,從專業(yè)劇團(tuán)到民間京劇會(huì)社仍體現(xiàn)出良好的傳承優(yōu)勢(shì)。其次,在現(xiàn)代戲改革進(jìn)程中,煙臺(tái)市京劇演員深諳傳統(tǒng)京劇形式美的藝術(shù)特征,能自覺(jué)遵循傳統(tǒng)京劇的藝術(shù)表演規(guī)律,秉承不變的京味為改戲基本原則的實(shí)例給當(dāng)下的京劇創(chuàng)新帶來(lái)新的思考。 本論文運(yùn)用口述史的研究方法,以京劇在煙臺(tái)當(dāng)代歷史上的音樂(lè)文化事象作為研究和闡釋的對(duì)象,論述社會(huì)變遷中煙臺(tái)當(dāng)代京劇的生存狀態(tài)。作為對(duì)當(dāng)代京劇歷史的認(rèn)識(shí)的新角度,本論文從普通京劇群體的口述訪談中折射出的煙臺(tái)當(dāng)代京劇歷史事件的復(fù)雜與多樣性,填補(bǔ)了當(dāng)前煙臺(tái)地方京劇歷史文獻(xiàn)記載的不足,也為京劇的傳承與發(fā)展提供了參考依據(jù)。 煙臺(tái)京劇的現(xiàn)狀也體現(xiàn)出了煙臺(tái)深厚的京劇傳統(tǒng)遺風(fēng),作為特殊地域性的京劇狀況雖然并不一定具有全國(guó)代表性,但也能夠作為一個(gè)特殊案例為傳統(tǒng)文化生態(tài)的恢復(fù)與重構(gòu)、傳統(tǒng)京劇的保護(hù)與傳承等方面的研究提供借鑒,并引發(fā)我們的追問(wèn)與思考。
[Abstract]:The unique regional culture of Yantai has created a profound tradition of Peking Opera. Since the 1950s and 1960s, under the background of the national "opera reform" policy, the living conditions of contemporary Beijing opera in Yantai have changed. However, the profound cultural background of Yantai Peking Opera makes it in the performance of traditional opera, from the professional opera group to the folk opera club still embodies a good inheritance advantage. Secondly, in the process of modern opera reform, Yantai Peking Opera actors are well acquainted with the artistic characteristics of traditional Beijing Opera's formal beauty and can consciously follow the artistic performance laws of traditional Beijing opera. The example of the immutable Jingwei as the basic principle of opera reform brings new thinking to the innovation of Beijing Opera. This thesis uses the method of oral history to study and explain the musical and cultural phenomena of Beijing Opera in Yantai's contemporary history, and discusses the living state of Yantai's contemporary Peking Opera in the course of social change. As a new angle of understanding the history of contemporary Beijing opera, this thesis has filled the deficiency of the historical records of Yantai local Beijing opera from the complexity and diversity of the historical events of Yantai contemporary Beijing opera reflected in the oral interviews of ordinary Beijing opera groups. It also provides a reference for the inheritance and development of Beijing Opera. The present situation of Beijing Opera in Yantai also reflects the profound traditional style of Beijing Opera in Yantai. Although the situation of Beijing opera as a special region is not necessarily representative across the country, it can also be used as a special case for the restoration and reconstruction of traditional cultural ecology. The research on the protection and inheritance of traditional Peking Opera provides reference and leads us to inquire and think.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J821

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