本文選題：戲曲 + 大眾傳播　； 參考：《中國(guó)傳媒大學(xué)》2009年碩士論文

【摘要】： 戲曲自古就是國(guó)人重要的娛樂(lè)方式,即使在今天,依然有大量的觀眾通過(guò)欣賞戲曲,愉悅身心。進(jìn)入新世紀(jì),伴隨著傳播媒介的更新發(fā)展,戲曲也在和傳播媒介交融的過(guò)程中不斷發(fā)展變化,出現(xiàn)許多特殊的現(xiàn)象,這就包括戲曲傳播中的“泛娛樂(lè)化”現(xiàn)象。由于社會(huì)角色的差異,這種現(xiàn)象在戲曲工作者、戲迷和普通大眾之間引起了激烈的論爭(zhēng),褒貶不一。 近年來(lái),戲曲傳播中的各種新現(xiàn)象,尤其是其多樣化的表現(xiàn)形式,已經(jīng)引起了學(xué)者們廣泛地關(guān)注。但是,對(duì)戲曲傳播中“泛娛樂(lè)化”現(xiàn)象的討論卻不多見(jiàn)�；诖�,本文以戲劇戲曲學(xué)和傳播學(xué)兩個(gè)學(xué)科的理論知識(shí)為基礎(chǔ),利用個(gè)案分析法、文獻(xiàn)研究法、歸納法等研究方法,嘗試對(duì)該現(xiàn)象展開(kāi)淺要地論析。論文的第一部分主要是對(duì)現(xiàn)象的描述,展示當(dāng)今戲曲傳播中“泛娛樂(lè)化”現(xiàn)象的表現(xiàn)。第二部分,通過(guò)對(duì)現(xiàn)象進(jìn)行歸納、整理,闡述該現(xiàn)象的內(nèi)涵,歸納其普通性規(guī)律。 通過(guò)前文的歸納,在第三部分開(kāi)始探究該現(xiàn)象產(chǎn)生的原因,并在第四部分討論該現(xiàn)象的影響。第五部分則嘗試提出合理的應(yīng)對(duì)策略。最后,在結(jié)語(yǔ)中呼喚真正雅俗共賞的優(yōu)秀戲曲作品不斷涌現(xiàn),展現(xiàn)戲曲作為中華文化精髓的真實(shí)風(fēng)貌,維護(hù)戲曲的可持續(xù)發(fā)展。 本文旨在通過(guò)對(duì)戲曲傳播中的“泛娛樂(lè)化”現(xiàn)象進(jìn)行歸納、整理,揭示其影響,進(jìn)而為在新媒介環(huán)境下采用合理的應(yīng)對(duì)策略,維護(hù)戲曲的可持續(xù)發(fā)展提供一些有益的思考。
[Abstract]:Opera has been an important entertainment for Chinese people since ancient times, even today, there are still a large number of audience through the appreciation of opera, happy body and mind.In the new century, with the renewal and development of the media, opera is also developing and changing in the process of blending with the media, and many special phenomena appear, which include the phenomenon of "pan-entertainment" in the communication of opera.Due to the differences in social roles, this phenomenon has caused fierce controversy among opera practitioners, opera fans and the general public.In recent years, various new phenomena in opera communication, especially its diverse forms of expression, have attracted wide attention of scholars.However, there are few discussions on the phenomenon of "pan-entertainment" in opera communication.Based on the theoretical knowledge of drama drama and communication, this paper tries to analyze this phenomenon by case analysis, literature research, induction and so on.The first part of the paper mainly describes the phenomenon, showing the phenomenon of "pan-entertainment" in opera communication.The second part, through the phenomenon induction, arrangement, elaborated this phenomenon connotation, induces its common law.In the third part, the causes of the phenomenon are discussed, and the influence of the phenomenon is discussed in the fourth part.The fifth part tries to put forward reasonable countermeasures.Finally, the conclusion calls for the emergence of outstanding opera works that are truly elegant and popular, showing the true style and features of the essence of Chinese culture, and maintaining the sustainable development of traditional Chinese opera.The purpose of this paper is to summarize and sort out the phenomenon of "pan-entertainment" in the dissemination of traditional Chinese opera, to reveal its influence, and then to provide some useful thoughts for the adoption of reasonable coping strategies in the new media environment and the maintenance of the sustainable development of opera.
【學(xué)位授予單位】：中國(guó)傳媒大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J80-05

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 滕攀;湘西南路陽(yáng)戲研究[D];陜西師范大學(xué);2011年

2 王聰;戲曲網(wǎng)站生存狀況調(diào)查報(bào)告[D];山西師范大學(xué);2012年

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本文編號(hào)：1773067