本文選題：越劇傳播 + 竺水招��； 參考：《南京藝術(shù)學(xué)院學(xué)報(音樂與表演)》2017年03期

【摘要】：越劇傳入南京,肇始于1935年,40年代形成規(guī)模,獲得南京觀眾的關(guān)注,最終開拓了南京的演劇市場,成為南京重要的劇種之一。50年代竺水招率領(lǐng)云華越劇團(tuán)從上海到南京演出,并留駐南京成立南京市越劇團(tuán),為南京越劇的發(fā)展做出了巨大貢獻(xiàn)。文革時期,越劇遭到毀滅性打擊,其發(fā)展也全面停滯。改革開放的春風(fēng)喚醒了越劇沉睡的種子,但在市場經(jīng)濟(jì)改革的時代背景下,越劇的觀眾市場逐漸萎縮,國營化的劇團(tuán)改革勢在必行。經(jīng)過90年代以來的劇團(tuán)改制,南京的越劇煥發(fā)出新的時代生機(jī)。
[Abstract]:The introduction of Yue Opera into Nanjing began in 1935 in the 1940s and gained the attention of the Nanjing audience. Finally, it opened up the performance market in Nanjing and became one of the most important plays in Nanjing. In the 1950s, Zhu Shuizhao led the Yunhua Yue Opera Troupe to perform from Shanghai to Nanjing.And stayed in Nanjing to set up a Yuetuan, Nanjing Yueju for the development of a great contribution.During the Cultural Revolution, Vietnam Opera suffered a devastating blow, its development also completely stalled.The spring wind of reform and opening up awakens the seeds of the slumber of Yueju Opera, but under the background of market economy reform, the audience market of Yueju opera shrinks gradually, and the reform of state-owned opera troupes is imperative.After the reform of the opera troupe since the 1990 s, the Yueju Opera in Nanjing was enlivened in the new era.
【作者單位】： 南京藝術(shù)學(xué)院藝術(shù)學(xué)研究所;
【基金】：高校優(yōu)勢學(xué)科建設(shè)工程資助項目(PAPD) 高校哲學(xué)社會科學(xué)優(yōu)秀創(chuàng)新團(tuán)隊建設(shè)項目“中國特色藝術(shù)理論建構(gòu)與文化創(chuàng)新研究”(2015ZSTD008)階段性成果 《江蘇省高校社科團(tuán)隊:中國特色藝術(shù)理論建構(gòu)與文化創(chuàng)新研究(DGXYJYS15)》階段成果
【分類號】：J825
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本文編號：1772606