本文選題：梅蘭芳 + 新戲改革�。� 參考：《東北師范大學(xué)》2010年碩士論文

【摘要】： 二十世紀(jì)初期以來(lái)有關(guān)梅蘭芳的研究,已經(jīng)有很多書籍及雜志做過(guò)評(píng)論及報(bào)道,內(nèi)容涉及梅蘭芳個(gè)人及藝術(shù)的各個(gè)方面,1988年在梅蘭芳的祖籍地江蘇泰州建立了梅蘭芳史料陳列館,1996年以此成立了梅蘭芳研究會(huì),使得梅蘭芳研究越來(lái)越系統(tǒng)化和專業(yè)化�？v觀整個(gè)梅蘭芳藝術(shù)研究史,主要分為三個(gè)階段,一是新中國(guó)建立之前的、新中國(guó)建立之后十七年和文革后的梅蘭芳研究。這些研究取得了很大的成果,也為后人了解認(rèn)識(shí)梅蘭芳及領(lǐng)略梅蘭芳戲曲文化提供了寶貴而豐富的資料。從1913年開始,對(duì)梅蘭芳深入研究就一直沒(méi)有間斷過(guò),并且一直在向前發(fā)展,從最初單純的報(bào)道性文章,到今天以堅(jiān)實(shí)的理論為基礎(chǔ)更加學(xué)術(shù)性的研究,一直沒(méi)有停步。 對(duì)梅蘭芳評(píng)論研究,尤其是以二十世紀(jì)初期的評(píng)論為對(duì)象,關(guān)于梅蘭芳戲劇藝術(shù)成就以及梅派藝術(shù)的研究領(lǐng)域幾乎空白。本文以二十世紀(jì)初期的上海為背景,圍繞以當(dāng)時(shí)上海的主流媒體為平臺(tái),以及魯迅胡適等人對(duì)梅蘭芳藝術(shù)的批評(píng)與贊賞展開討論,通過(guò)詳實(shí)的史料復(fù)現(xiàn)大時(shí)代背景下的梅蘭芳藝術(shù),以及他所引領(lǐng)的京劇繁榮景象,并以此闡發(fā)對(duì)梅蘭芳戲劇藝術(shù)和表演形式客觀評(píng)論以及所產(chǎn)生的重要影響。
[Abstract]:Many books and magazines have commented and reported on Mei Lanfang's research since the early 20th century.The content involves Mei Lanfang's individual and various aspects of art, in 1988, the historical materials exhibition hall was established in Taizhou, Jiangsu Province, where Mei Lanfang was born in 1988, and then, in 1996, he set up Mei Lanfang Research Society, which made the research of Mei Lanfang more and more systematic and professional.Throughout the history of Mei Lanfang's art research, it is divided into three stages: one is the study of Mei Lanfang before the founding of New China, 17 years after the founding of New China and after the Cultural Revolution.These studies have made great achievements and provided valuable and rich materials for the later generations to understand Mei Lanfang and learn the opera culture of Mei Lanfang.Since 1913, the in-depth study of Mei Lanfang has been uninterrupted, and has been moving forward, from the initial pure reporting articles to the more academic research based on solid theory, there has been no pause.The research on Mei Lanfang's criticism, especially in the early 20th century, is almost blank in the field of the artistic achievement of Mei Lanfang's drama and the art of Mei School.Based on the background of Shanghai in the early 20th century, this paper focuses on the platform of the mainstream media of Shanghai at that time, as well as the criticism and appreciation of the art of Mei Lanfang by Lu Xun Hu Shi and others.Based on the detailed historical data, the art of Mei Lanfang under the background of the great times and the prosperous scene of Peking Opera led by him are reproduced, and the objective comments and important influences on the art and form of performance of Mei Lanfang are expounded.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J809.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 黃蓓蓓;“看戲”的貴族化、流行化與女性化[D];華東師范大學(xué);2012年

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本文編號(hào)：1771304