發(fā)布時間：2018-04-18 00:16

  本文選題：五音戲 + 傳播特征��； 參考：《西北大學(xué)》2017年碩士論文

【摘要】：三百年之久的五音戲作為山東的地方小劇種,有“北方越劇”之稱,因其獨特的唱腔和表現(xiàn)形式,于2006年五音戲被列入國家級非物質(zhì)文化遺產(chǎn)名錄。雖然曾經(jīng)的五音戲在戲曲歷史上留下了絢爛的一筆,但對學(xué)界而言于五音戲相關(guān)問題的研究寥寥無幾。本文開篇闡述了對五音戲研究的源起,當(dāng)前學(xué)界對于五音戲研究的現(xiàn)狀以及本文的研究思路。就研究思路而言,力圖廓清三個研究問題,即五音戲的傳播特征是怎樣的?社會性別于五音戲傳播特征中的體現(xiàn)是怎樣的?并且進(jìn)一步闡釋五音戲未來的發(fā)展策略是怎樣的以及以五音戲傳播策略為鑒,地方小劇種未來該如何發(fā)展?其次,對本文所涉及的相關(guān)理論進(jìn)行梳理,主要涉及到女性主義發(fā)展的脈絡(luò),包括女性主義觀念的由來、女性主義理論、女性主義代表性運動浪潮以及女性主義的主要流派,在此基礎(chǔ)上引出女性主義的重要概念“社會性別”,而社會性別也是本文論述五音戲傳播特色的重要切入點。再次,通過概述五音戲的發(fā)展歷史以及傳播現(xiàn)狀,理清五音戲所呈現(xiàn)出來的傳播特征,主要論述了五音戲的戲本、戲臺、戲角以及戲詞和道白,并在此基礎(chǔ)上分析五音戲的傳播內(nèi)容、傳播渠道、傳播角色的特征。結(jié)合上文提及的社會性別相關(guān)理論,開始本文分析的重點,即社會性別在五音戲傳播特征中的體現(xiàn),涉及傳播者、傳播內(nèi)容、傳播渠道、傳播目的以及傳播效果中的分析,認(rèn)為五音戲傳播特征中塑造了“古代居家傳統(tǒng)婦女”形象,傳播內(nèi)容忽略“男女平等”,戲臺(傳播渠道)設(shè)置主要是以家庭場景為主,且傳播目的多為限制女性受眾,以及五音戲借助傳播效果來“丑化”女性。本文最后立足于上述分析的基礎(chǔ).上,給出五音戲未來發(fā)展的建議,概述來說的話主要分為兩點,即取其精華、棄其糟粕。并進(jìn)一步闡釋了五音戲傳播策略對地方小劇種的啟示:借助地方小劇種獨特性尋求發(fā)展立足點,正視自身面臨的發(fā)展問題,結(jié)合社會背景創(chuàng)作接地氣戲本,創(chuàng)新地方小劇種的呈現(xiàn)方式。本文最主要的創(chuàng)新之處在于從傳播學(xué)角度,結(jié)合女性主義理論對五音戲展開了研究,在剖析五音戲傳播特色的基礎(chǔ)上,較之于已有的從語言學(xué)和音樂學(xué)角度分析五音戲有較大的不同。
[Abstract]:Three hundred years of five-tone opera, as a small local drama in Shandong Province, is known as "Northern Yue Opera". Because of its unique singing and expression, Wuyin Opera was listed as a national intangible cultural heritage list in 2006.Although the five-tone opera has left a splendid stroke in the opera history, there are few researches on the five-tone opera in academic circles.At the beginning of this paper, the origin of the research on Wuyin drama, the current situation of the research on Wuyin opera in academic circles and the research ideas of this paper are expounded.In terms of research ideas, try to clarify the three research issues, that is, the communication characteristics of Wuyin drama is what?What is the embodiment of gender in the communication characteristics of Wuyin opera?And to further explain the future development strategy of five-tone drama, and with the five-tone drama communication strategy as a guide, how to develop the local small drama in the future?Secondly, combing the relevant theories involved in this paper, mainly related to the development of feminism, including the origin of feminist ideas, feminist theory, feminist representative movement and the main schools of feminism.On this basis, it leads to the important concept of feminism "social gender", which is also an important breakthrough point of this article to discuss the communication characteristics of Wuyin Opera.Thirdly, through an overview of the development history and communication status of the five-tone drama, the communication characteristics of the five-tone drama are clarified, and the text, stage, angle, ci and Taoism of the five-tone play are mainly discussed.On this basis, it analyzes the communication content, channel and character of the five-tone drama.Based on the above mentioned theories of gender, the emphasis of this paper is the reflection of gender in the communication characteristics of Wuyin Opera, which involves the communicator, the content, the channel, the purpose and the effect of communication.It is believed that the communication characteristics of Wuyin Opera have shaped the image of "the traditional women in the ancient family", that the content of communication neglects "equality between men and women", that the setting of stage (communication channel) is mainly based on the family scene, and that the purpose of communication is to limit the female audience.And five-tone drama with the help of communication effects to "ugly" women.This paper is based on the above analysis.In this paper, the author gives some suggestions on the future development of Wuyin Opera. The words are divided into two parts, that is, to select its essence and discard its dross.And it further explains the enlightenment of the communication strategy of five-tone drama to the local small drama: to seek a foothold for development with the help of the uniqueness of the local small drama, to face up to the development problems faced by itself, and to create an approachable drama with the social background.Innovate the presentation of local small drama.The main innovation of this paper lies in the study of Wuyin drama from the angle of communication and feminist theory, and on the basis of analyzing the characteristics of communication of Wuyin opera.Compared with the existing five-tone opera from the perspective of linguistics and musicology, there is a great difference.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J825;G206

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