發(fā)布時(shí)間：2018-04-16 23:22

  本文選題：冀東蓮花落 + 蓮花落　； 參考：《東北師范大學(xué)》2017年碩士論文

【摘要】：蓮花落起源于隋唐,穿過(guò)宋、元、明時(shí)代,在清初流入冀東地區(qū),而冀東蓮花落是如何產(chǎn)生的呢?冀東蓮花落距今已有兩百多年的歷史,對(duì)很多的曲藝、戲曲藝都術(shù)產(chǎn)生過(guò)或多或少的影響,但是人們每每提到蓮花落都會(huì)自然而然地將其歸位到乞食蓮花落的范疇,似乎在人們的腦海中已經(jīng)形成一種定式,因此忽略了蓮花落的其他表現(xiàn)形式,即蓮花落在秧歌當(dāng)中的存在形式。很多的學(xué)者對(duì)于評(píng)劇的源頭藝術(shù)——冀東蓮花落,在形式上了解還不夠,在多部著作中作者都將冀東蓮花落視為乞食蓮花落。當(dāng)然我們不排除在冀東地區(qū)存在乞食蓮花落的形式,而依筆者所想,這終究還是人們對(duì)評(píng)劇的源頭藝術(shù)認(rèn)識(shí)不夠深刻,對(duì)其發(fā)展脈絡(luò)、表演形態(tài)、音樂(lè)形態(tài)認(rèn)識(shí)度不夠高所造成的。筆者通過(guò)撰寫(xiě)這篇論文力圖提升人們對(duì)其冀東蓮花落的認(rèn)識(shí)。論文的第一章內(nèi)容為緒論,包括研究背景、研究目標(biāo)、研究意義、研究方法。第二章的內(nèi)容為冀東蓮花落的緣起(包括產(chǎn)生背景,自然背景、文化背景、歷史背景,冀東蓮花落的產(chǎn)生)、冀東蓮花落的發(fā)展(分為冀東蓮花落的發(fā)展初期、中期、末期)、冀東蓮花落的衰落。第三章的主要內(nèi)容為冀東蓮花落的表演形態(tài)(表演特征、伴奏樂(lè)器、行當(dāng)服飾及化妝)和音樂(lè)形態(tài)(蓮花落音樂(lè)的基本類(lèi)型、冀東蓮花落的曲調(diào)分析)。第四章的主要內(nèi)容為冀東蓮花落衰落的原因,分別從“戲曲”改良的沖擊、官府“禁演”的沖擊、城市化、商業(yè)化帶來(lái)的沖擊及傳承問(wèn)題談起。
[Abstract]:Lotus fall originated in the Sui and Tang dynasties, through the Song, Yuan, Ming times, in the early Qing Dynasty into eastern Hebei, and how did the eastern Hebei Lotus fall?Jidong Lotus has a history of more than 200 years. It has had a more or less influence on many quyi and opera arts, but people often mention the Lotus fall and naturally return it to the realm of eating lotus flowers.It seems that a pattern has been formed in people's minds, so they ignore the other manifestation of lotus falling, that is, the form of existence of lotus falling in Yangko.Many scholars do not know enough about the origination art of Jidong Lotus Flower in Jidong, and in many works the author regards it as a begging lotus flower.Of course, we do not rule out the existence of the form of "begging and eating lotus flowers" in eastern Hebei, and in my opinion, this is, after all, people's understanding of the source art of the drama is not deep enough, and they have a deep understanding of its development and performance patterns.The lack of awareness of the music form is caused by.By writing this paper, the author tries to promote people's understanding of the lotus flower in Jidong.The first chapter is the introduction, including the research background, research objectives, research significance and research methods.The content of the second chapter is the origin (including the background, the natural background, the cultural background, the historical background, the origin of the lotus drop in the east of Hebei province, the development of the lotus drop in the east of Hebei province, the development of the lotus drop in the east of Hebei province, which is divided into the initial stage and the middle stage of the development of the lotus drop in the east of Hebei province).At the end of the year, the decline of lotus flower in eastern Hebei Province.The main content of the third chapter is the performance form (performance characteristics, accompaniment instruments, costumes and makeup) and music form (the basic types of lotus music, the tune analysis of Lotus fall in eastern Hebei Province).The main content of the fourth chapter is the reasons for the decline of Lotus in Jidong, respectively from the impact of the "opera" improvement, the impact of the government "prohibited performance", urbanization, commercialization of the impact and inheritance issues.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J826

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 陳鈞;;蓮花落秧歌戲是評(píng)劇的源頭[J];戲曲研究;2009年03期

2 趙瑞軍;杜盛蘭;;評(píng)劇的淵源與發(fā)展[J];文史精華;2009年S1期

3 張瑞敏;;冀東蓮花落與十不閑之源流[J];大舞臺(tái);2009年02期

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本文編號(hào)：1761036