本文選題：羅卷戲 + 淵源��； 參考：《河南師范大學(xué)》2011年碩士論文

【摘要】：羅卷戲是明清時(shí)期廣泛流傳于中原大地上的一種稀有劇種,因羅戲和卷戲同臺(tái)演出而形成,曾被老百姓稱(chēng)之為“羅卷同臺(tái)兩下湯”。隨著時(shí)代的發(fā)展,人們生活的改變和審美的多元化導(dǎo)致羅卷戲備受冷落,甚至瀕臨滅絕,被戲曲界專(zhuān)家們譽(yù)為戲曲中的“大熊貓”。就目前的現(xiàn)狀來(lái)講,保護(hù)羅卷戲勢(shì)在必行。筆者試圖采用文獻(xiàn)搜集和田野調(diào)查相結(jié)合的方法,綜合羅卷戲的藝術(shù)特征,劇目概況和劇團(tuán)人員的發(fā)展?fàn)顩r,從鄧州羅卷戲的形成與發(fā)展著手,對(duì)其歷史與現(xiàn)狀做系統(tǒng)的梳理與研究。 本文除了緒論和結(jié)語(yǔ)之外,由羅卷戲在鄧州傳承的文化背景、歷史流變、羅卷戲的音樂(lè)形態(tài)考察以及鄧州羅卷戲的現(xiàn)狀與思考四部分組成。其中: 第一部分為羅卷戲在鄧州傳承的文化背景。筆者試圖通過(guò)對(duì)鄧州地理環(huán)境和人文環(huán)境的考察與分析,初步了解戲曲曾是鄧州人民文化生活中不可缺少的一部分,羅卷戲占其主要的地位,但是隨著生活的多元化,羅卷戲備受冷落,在日常生活中幾乎無(wú)人問(wèn)津。 第二部分為鄧州羅卷戲的歷史流變。從羅卷戲的淵源入手,研究鄧州羅卷戲的形成與發(fā)展,并從中論證了羅卷戲在鄧州的發(fā)展是“流”而不是“源”的問(wèn)題。并分析了影響羅卷戲的幾個(gè)重要因素,即卷戲、羅戲、儺戲以及羅戲與儺戲的關(guān)系。 第三部分為鄧州羅卷戲的音樂(lè)形態(tài)考察。從聲腔、唱腔、伴奏音樂(lè)、樂(lè)隊(duì)編制、劇目概況這五個(gè)方面對(duì)其鄧州羅卷戲的音樂(lè)形態(tài)特征做系統(tǒng)的概述。由此了解到,羅卷戲之所以風(fēng)靡一時(shí),正是由于它融合了羅戲的粗狂直爽和卷戲的婉轉(zhuǎn)悠揚(yáng),文武兼?zhèn)?備受青睞,而當(dāng)前劇目的急劇減少,從300多個(gè)傳統(tǒng)劇目到目前不到30個(gè)能搬上舞臺(tái),又使得羅卷戲日趨蕭條衰落,甚至走到了瀕臨滅絕的邊緣。 第四部分為鄧州羅卷戲的傳承與現(xiàn)狀思考。通過(guò)對(duì)比鄧州羅卷戲的分布圖、演出區(qū)域圖,歸納其機(jī)構(gòu)設(shè)置和傳承譜系,可以清晰地看到鄧州羅卷戲發(fā)展脈絡(luò)。鄧州羅卷戲自清朝雍正年間開(kāi)始,就在鄧州興起,影響范圍十分廣泛,到了近代出現(xiàn)斷層。隨著國(guó)家非物質(zhì)文化保護(hù)的興起,鄧州羅卷戲再次回到人們的視野中,它的價(jià)值再次得到肯定。
[Abstract]:Luojuan Opera is a kind of rare drama widely spread in the Central Plains during the Ming and Qing dynasties. It was formed by the Luo Opera and the Scroll Opera on the same stage.With the development of the times, the change of people's life and the diversification of aesthetics lead to the neglect and even extinction of Luoqu Opera, which is praised as the "giant panda" by the opera experts.As far as the present situation is concerned, it is imperative to protect the Luo Scroll.The author tries to adopt the method of combining literature collection and field investigation, synthesizing the artistic characteristics, the general situation of the repertoire and the development situation of the troupe personnel, and starting with the formation and development of the Luohuan Opera in Dengzhou.The history and current situation of the system of combing and research.In addition to the introduction and the conclusion, this paper consists of four parts: the cultural background, the historical evolution, the musical form of the Luo roll drama, and the present situation and thinking of the Luo roll drama in Dengzhou.Of which:The first part is the cultural background of Luo roll opera in Dengzhou.Through the investigation and analysis of the geographical and humanistic environment of Dengzhou, the author tries to understand preliminarily that opera was once an indispensable part of the cultural life of the people of Deng Zhou, and the Luojuan Opera occupies its main position, but with the diversification of life, the drama has become an indispensable part of the cultural life of the people of Dengzhou.Luo scroll drama is neglected, in the daily life of almost no one to pay attention to.The second part is the historical evolution of Deng Zhou Luo roll drama.Starting from the origin of Luo roll drama, this paper studies the formation and development of Deng Zhou Luo roll drama, and demonstrates that the development of Luo roll opera in Deng Zhou is a "stream" rather than a "source".It also analyzes several important factors that affect Luojuxi, that is, scroll drama, Luo opera, Nuo opera and the relationship between Luo opera and Nuo opera.The third part is the music form investigation of Dengzhou Luo roll opera.This paper gives a systematic overview of the musical form characteristics of Dengzhou Luo roll opera from five aspects: voice, singing, accompaniment music, band compilation and repertoire.From this, we can see that the reason for the popularity of Luojuan Opera is precisely because it combines the rough and straightforward nature of Luo Opera with the melodious and melodious style of the play, both civil and military, and it is very popular, while the current repertoire has been drastically reduced.From more than 300 traditional repertoire to less than 30 can be put on stage at present, the rolling drama is declining and even on the verge of extinction.The fourth part is the inheritance and current situation of Dengzhou Luojuan Opera.By comparing the distribution map and the performance area map of the Luo roll drama in Dengzhou, the institutional setting and inheritance pedigree can be summarized, and the development context of the Luo roll opera in Deng state can be clearly seen.Since the Yongzheng period of the Qing Dynasty, Luojuan Opera of Dengzhou began to rise in Dengzhou, with a wide range of influence, to the emergence of faults in modern times.With the rise of national immaterial cultural protection, Dunzhou Luojuan Opera is back to people's view, its value is affirmed again.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J825

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本文編號(hào)：1731957