本文選題：國立劇校　切入點(diǎn)：演出方式　出處：《四川戲劇》2015年03期

【摘要】：中國話劇的演出方式主要是劇場(chǎng)演出,隨著話劇的逐漸發(fā)展,話劇演劇類型也逐漸地呈現(xiàn)出多樣化、規(guī)范化的發(fā)展態(tài)勢(shì)。那么,話劇發(fā)展中到底出現(xiàn)過哪些演劇類型?這些演劇類型是怎樣進(jìn)行演出的呢?解答這些問題對(duì)話劇演出史的研究極為重要,而問題的解答則需要深入研究演劇個(gè)體的演劇類型。本文選擇了20世紀(jì)30年代一個(gè)重要演出團(tuán)體——國立劇校的演劇類型進(jìn)行考察,通過詳細(xì)的史料考證,揭示了國立劇校演劇的6種類型。
[Abstract]:With the gradual development of drama, the types of drama also gradually present a diversified and standardized development trend.So, what types of drama have appeared in the development of drama?How are these types of plays performed?The solution of these questions is very important to the study of the history of drama performance.This paper selects the national opera school, an important performing group in the 1930s, to investigate the types of plays, and through detailed historical research, reveals six types of national opera school drama.
【作者單位】： 四川師范大學(xué)新聞與傳播學(xué)院;
【基金】：文化部文化藝術(shù)科學(xué)研究項(xiàng)目“國立劇專演劇學(xué)派研究”(項(xiàng)目編號(hào):12DB09) 四川省教育廳課題“余上沅導(dǎo)演觀研究”(項(xiàng)目批準(zhǔn)號(hào):11SA163)的階段性成果
【分類號(hào)】：J824
，

本文編號(hào)：1730391